Scotland

From the same source which provided Sotheby’s success with a fine collection of Scottish Colourist works (ATG No 2347), a large late 19th version of the Medici Vase led the two-day Glasgow sale at Great Western Auctions (23% buyer’s premium).

Like many artists, hands held a strong fascination for British sculptor Henry Moore (1898-1986), and he came back to the subject numerous times in his career.

From lighthouses and ships in distress to labourers and landscapes, the two exhibitions at The Fine Art Society in Edinburgh this month celebrate three centuries of Scotland’s art.

Chinese ceramics tend to dominate Asian sales in the UK, but occasionally other mediums get to share the limelight.

Once-fashionable drum tables took a big hit during the furniture slump and while the best can do well, others can be picked up cheaply.

The feast from the east that that has put bread (and some Michelin-starred meals) on the table of dealers and auctioneers for more than a decade continues to do so at sales from Scotland to Surrey.

One of the smallest but most eye-catching lots at the Oriental sale at Bonhams Edinburgh (25% buyer’s premium) was two 4¼in (11cm) high Manchu officials’ bronze seals.

Several decades ago, when China was shut to the Western world, encounters with foreigners were understandably rare.

In the year of the 150th anniversary of Charles Rennie Mackintosh’s birth, Lyon & Turnbull has sold the very key used to open his design masterpiece, The Glasgow School of Art, in 1899.

One says Scottish rather than Scotch except when one is referring to the spirit – or indeed, motor spirit as evident at the Edinburgh rooms of Thomson Roddick Scottish Auctions (17.5% buyer’s premium).

A collection of Outsider art produced in a former psychiatric hospital in north London will be offered for sale at Edinburgh auction house Lyon & Turnbull.

Lyon & Turnbull has appointed Philip Smith, former head of modern & post-war art and design at Mallams, to the newly created role of associate director for modern art and design.

“It’s not the age or pedigree – it’s the look of the piece.” The phrase became less a heresy and more a cliché during the latter years of the furniture boom of blessed memory, when the increasingly influential decorator trade was spending substantial sums on 19th and early 20th century reproductions.