London

A CONFERENCE addressing the special problems facing the art and antiques trade will be held at the Earls Court Conference Centre in London on Monday, May 16.

At Sandown Park Antiques Fair on February 15, Paul Braithwaite on stand HW5 is offering this early 20th century surgeons’ fitted box, made by Mayer & Meltzer, surgical instrument makers in London, for £385.

The final Dix Noonan Webb (15% buyer’s premium) 2004 sale in London, on December 14, was a massive 1610-lot affair with a diversity of offerings. The total hammer take was £282,905.

Christie's King Street, 20 January, Buyer's Premium: 20/12%.The most expensive piece from the 26 lots offered from Endsleigh, the Devon cottage designed for the 6th Duke of Bedford was this 6ft (1.8m) wide carved oak side table designed c.1801-14 by Jeffry Wyatt, the architect responsible for the main decorative scheme at Endsleigh, and made by local cabinetmaker John Williams of Exeter.

Business as usual was the message from Camden Stables following the sale of the north London market to the clothing tycoon Richard Caring. A price of £40m was quoted in the financial press.

AFTER more than 41 years, veteran silver dealers Hymie and Shirley Dinerstein have left West London’s Portobello Road.

FOR its seventh London staging, The Watercolours and Drawings Fair leaves its long-time home at the Park Lane Hotel, Piccadilly, and moves deeper into Mayfair to The Royal Academy, 6 Burlington Gardens, W1 where it will run from February 3 to 6 with a charity preview on the evening of February 2.

AFTER a decade at the venue, Essex-based organiser Robert Bailey has decided not to stage his flagship fair at Claridge’s hotel in London this April.

Star billing at Christie’s King Street sale of selected English and Continental ceramics on December 6 went to three Meissen Augustus Rex covered baluster jars of 1740 with the AR monogram and Dreher’s marks XII to the base.

Two of the strongest performances in the December ceramics sales came from the glass sections offered at Bonhams Bond Street on December 8 and at Sotheby’s Olympia two weeks later.

BACK in London, until February 12, Mayfair purveyors of ethnographic and tribal items, the Gordon Reece Gallery, hold a sale of their current stock of antique rugs at their gallery at 16 Clifford Street, London W1. Rugs are offered at half price and, in true High Street clearance style, will be replaced daily “while stocks last”.

The Victoria and Albert Museum will open a new Portrait Miniatures Gallery on March 2.

ERICH Maria Remarque’s corrected galley proofs for the 1929, first bookform edition of Im Westen nichts Neues [All Quiet on the Western Front] brought a collector’s bid of £26,000 at Sotheby’s on November 30.

NOW a permanent fixture on the capital’s art scene, the seventh annual Art on Paper Fair will be held from February 3 to 6 at the Royal College of Art, Kensington Gore, London SW7. It will be opened at noon on the 3rd by one of last year’s more colourful characters, Spectator editor, and lapsed Tory shadow spokesman for the Arts, Boris Johnson.

IN CONTRAST to Sotheby’s and Christie’s, who usually offer Japanese arms and armour in Japanese works of art sales, Bonhams (19.5/10% buyers premium) include theirs as a section in militaria auctions.

THE V&A has appealed for help from the art and antiques world in tracing the eight bronze plaques thought to be worth a total of £450,000 stolen in the third raid on the museum in three months.

SOME changes are planned for this year’s Grosvenor House Art & Antiques Fair. Britain’s top fair opens with the private preview on Wednesday June 15, thereby reverting to the historically successful Wednesday preview after seven years opening on a Tuesday.

There is a mistake in the Sotheby's Furniture and Interior Decorator sale advertisement in the 8th January issue of the Antiques Trade Gazette (No. 1671). The sale and view is being held at Olympia and not New Bond Street as stated.

A Christie’s South Kensington sports sale of November 23 saw a bid of £5500 on a programme for the 1897 F.A. Cup Final at Crystal Palace in which Aston Villa completed a League and Cup double by beating Everton 3-2.

Executed in the 1890s, when Beatrix Potter was working for the greetings card firm Hildesheimer, this little ink and watercolour drawing was last seen at auction in London about ten year ago, but on December 1 it came back to Christie’s South Kensington and sold for £25,000.