Norfolk

IN 1992 Norfolk dealer Liz Allport-Lomax formed Lomax Antiques Fairs to launch the East Anglian Antique Dealers Fair at Langley Park School, Loddon, Norfolk. Now she is arguably East Anglia’s top organiser with four annual events, each with a waiting list.

NORFOLK-based Joy Fletcher has been involved with antiques fairs in the past but not to the extent of her commitment to a brand new quality event she is launching later this month.

FEW images conjure up the nail-biting adventures of John Buchan more than Richard Hannay’s flight across the grouse moors of Scotland in the author’s best-known story, The Thirty Nine Steps.

BUSY Norfolk organiser Liz Allport-Lomax has been quite quiet of late, having cancelled her February fixture at Norwich due to problematic parking. But Lomax Antiques Fairs are now back on the road with their first fair of the year, the third annual North Norfolk Fine Art and Antiques Fair at Sussex Barn, Burnham Market over the Easter weekend from April 19 to 21.

IT’S not often that Britain recovers a highly important work from the United States – most of the traffic is usually the other way. However, Norfolk Museums Service are celebrating silver dealer Christopher Hartop’s triumph in negotiating the return of Sir Robert Walpole’s sterling silver tureen, which has now been put on show in the silver gallery at Norwich Castle.

A VENDOR who believes an auctioneer’s negligence cost him hundreds of thousands of pounds says he will sue despite leading experts dismissing the disputed piece as a 20th century reproduction.

Auctioneer Geoffrey Barfoot has noted increased activity at the general sales in the Campsea Ashe rooms of Abbotts (10% buyer’s premium) and the mood has spread to fine art – “provided the lots are fresh to market and good or rare”.

The Norfolk auctioneers Keys got a lot of media exposure in March when they took a bid of £22,000 for a collection of letters, cards, etc, written by the late Diana, Princess of Wales, to a Mrs Pendrey, a long-term employee and friend from her Althorp days, but in this sale another small selection of letters, apparently from the same source, failed to sell against an estimate of £7500-10,000.

It wasn’t until Campbell Archibald Mellon (1876-1955) retired from business at the end of the First World War that he devoted himself to painting. He moved to Gorleston-on-Sea in Norfolk and the bulk of his artistic output is focused on the beaches and holidaymakers in the area.

The extent to which a provincial auctioneer should be liable for underselling a work of art is again under scrutiny as a vendor threatens legal action.

One item for a fiver, another at five figures – the 1400-lot sale held by Keys (10% buyer’s premium) on February 20 was a classic of the old-fashioned, no- reasonable-consignment-refused kind at the Aylsham Salerooms in Norfolk. Most offerings over the two days sold at three figures but there were half a dozen or so lots which went over the £1000 mark and one which really aroused interest.

While it is almost impossible to sell some routine furniture at present, Keys specialist Paul Goodley echoed the traditional view that attractively pitched guidelines are the key to success.

The estimate of £25-35 placed on a second impression copy of Tolkien’s The Hobbit was a reflection of its condition – “deplorable” being the cataloguer’s chosen epithet. There was no jacket and 20-30 leaves had been torn loose, one of which had been further torn into four (now three) pieces.

AS EVER, this Norfolk sale on 14 September at Keys, Aylsham provided an eclectic mix of stock, from the seriously antiquarian to the frivolous, from a 16th century summation and translation of Anglo-Saxon laws to a famous tale of porcine practicality.

MAINTAINING their policy of high-content, budget priced sales, the Norfolk auctioneers Keys put up a bumper June offering with a 1540-lot antique sale on June 26 and 27 following a 1236-lot collectors’ sale on June 14. Occasionally there emerges a high-priced star at these antiques offerings but in the quieter days of summer the best bid came for a Georgian-style pedestal birdcage supper table, 3ft 1in (94cm) which sold at £2450.

UK: TWO LOTS in this Norfolk sale stood head and shoulders above all others, at least in financial terms. One was a group of original illustrations by Charles Kerr for a Rider Haggard adventure story that made £3200 (see caption story below); the other a copy of John Arrowsmith’s London Atlas in modern half calf that reached £6600 (Heald).

UK: A TYPICAL mammoth offering of 1463 lots at the Norfolk rooms’ collectors’ sale included something for just about anyone buying on a modest budget – and, as usual, a few unexpected bidding battles.

UK: THE double January offering of two-day 1300-lot auctions at the Norfolk auctioneers followed the usual house pattern of a high volume of low-value entries interspersed with one or two gems, and saw consistent bidding throughout both auctions.

UK: THE Norfolk auctioneers end their year with a typical 1400-lot, something-for-everyone sale aimed at the budget-conscious end of the market.

UK: THE market in Guinness collectables continues to be as thirsty as that for the black stuff itself, to the point where buyers have to be on guard against forgeries of better known pieces.