UK

Strong bidding for the best Republic period porcelain has become a familiar sight at Asian art sales. Less often observed is the newer enthusiasm for artist-decorated wares from the early years of the People’s Republic.

Proof once more of the allure of market-fresh goods, the collection of Roger Soame Jenyns (1904-76) excelled at Christie’s Fine Chinese Ceramics and Works of Art sale.

From c.1969-75, Charles de Temple (b.1929) – the son of the American film actor Tom Mix – created his series of ‘nervous jewels’, employing prickly cultural designs in two-coloured gold wire. This 18ct gold and beryl dress ring is a good example.

The exact history of this 200-year-old saltwater pearl is unknown but it is undoubtedly a gem of considerable merit.

A marine scene by Alfred Priest (1810-50) is among the highlights at English and Continental Antiques’ final exhibition of the year.

It’s party time at Savitri Coleman’s Clerkenwell Vintage Fashion Fair in the Freemason’s Hall, Great Queen Street, on Sunday November 25.

Our weekly selection from salerooms and dealerships.

John Stanley runs Blackbrook Gallery with his wife Pat. They will stand at Art & Antiques for Everyone in Birmingham from November 15-18.

Among the many versions of the Rolex Oyster Perpetual Submariner, the reference 5508 with its James Bond association is perhaps the best known.

A recent online sale that ran to just 35 lots and closed on October 25 offered a single-owner collection of works by the Victorian explorer and writer, Sir Richard Burton.

The Fine Jewellery and Watches auction at Sworders of Stansted Mountfitchet on November 20 will include this Cartier Art Deco rose-cut diamond, black and white enamel and seed pearl-set pendant watch, c.1915.

Sold for £1900 in a recent London sale was an 1892 first of Experiments with Alternate Currents of High Potential and High Frequency – a record for this particular work.

This amethyst and cultured pearl ring and brooch is by Stuart Devlin (1931-2018) – the Australian-born designer and craftsman the Duke of Edinburgh described as “probably the most original and creative goldsmith and silversmith of his time, and one of the greats of all time”.

Edwin Harris (1855-1906) is one name that did not feature in the Robin Hanbury-Tenison collection of Newlyn School art at Bearnes Hampton & Littlewood (see main story in this section).