Features

Eardley Norton, who is listed at 49 St John’s Street, Clerkenwell between 1762- 94, enjoyed a reputation as a skilled mechanic and the maker of complex timepieces, sometimes with musical and astronomical movements.

The series of Victorian carriage clocks by James McCabe – the son of a Belfast clockmaker of the same name who came to London in the 1770s and worked at the Royal Exchange from 1804 – are typically beautifully made with exemplary twin fusee striking movements.

On July 2 Sotheby’s will hold the first of a four-part series of sales to disperse an important collection of clocks and pocket watches.

Estimated at a token £100-200, a large twin fusee wall clock sold to an online bid of £2400 (plus premium) at Wessex Auction Rooms (17% buyer’s premium) in Chippenham.

A rare regulator bracket clock signed by Thomas Cole was among a fine selection of English 18th and 19th century horology offered by Hutchinson-Scott (20% buyer’s premium) in Skipton, North Yorkshire, on May 23.

During an expedition to the wreck of the Titanic in 1996, a marine chronometer made by JW Ray, Liverpool, was recovered and brought ashore.

A mahogany longcase clock by Thomas Mudge (1715-94) is priced at £45,000 from Cheltenham dealer Tobias Birch.

As the vast majority of Georgian clockmakers signed their work, most regional brass-dial longcase clocks have a great sense of place.

These two mahogany library mantel timepieces – for sale at Dreweatts of Donnington Priory in the autumn – were supplied to HM Government by Benjamin Lewis Vulliamy in the early days of Victoria’s reign.

The complex precision electromechanical pendulum clocks made by William Hamilton-Shortt, engineer for the London & South Western Railway, and Frank Hope Jones, horologist of the Synchronome Company, were the most accurate pendulum clocks ever commercially produced.

Kensington Church Street clock dealer Howard Walwyn will offer this previously unknown Thomas Tompion walnut and mulberry longcase at the Masterpiece fair in London.

At the Drouot auction centre on June 6 the Paris firm of Binoche et Giquello will be selling a third instalment from a US collection of pre-Columbian works from Meso, Central and South America which is expected to realise in the region of €3m-4m.

Tribal art makes regular saleroom appearances in Paris, which is one of the major commercial centres in this sector.

Spring is a traditional point in the saleroom calendar for New York to mount its tribal art auctions.

The market for tribal art covering works from Africa, Oceania and the Americas has a global reach these days. While particular centres form cultural and commercial hubs (New York, Paris and Brussels in particular), you can find fairs and shows, shops and auctions around the world. Recent sale highlights and previews from some of the upcoming auctions and fairs are featured here.

Antiquities and tribal art will be on offer at Chiswick Auctions in west London on June 27.

Tribal art is a sector with truly international appeal and fairs and shows go on throughout the year across various locations.

This finely preserved Roman sports mask of a youthful African prince may depict Lusius Quietus (98- 117AD), one of Rome’s great cavalry commanders.

For antiquities aficionados, the pinnacle of Christie’s ‘Classic Week’ in New York was its single-owner offering of 40 exquisitely carved intaglios and cameos hailing from the ancient world.

In the Classical world, the so-called pyxis – a small round box used for storing trinkets, ointments or cosmetics – was often made from wood and other materials, but rarely in gold.