Auction Reports

Delayed by snow for a week, the Spring Sale at Chorley’s (20% buyer’s premium) on March 27 opened with a local collection of Republic-era (1912-49) porcelain.

The feast from the east that that has put bread (and some Michelin-starred meals) on the table of dealers and auctioneers for more than a decade continues to do so at sales from Scotland to Surrey.

Chinese porcelain resumed its traditional dominance among the Oriental offerings at Tennants (20% buyer’s premium) in Leyburn.

An ideal marriage of skills, rather than a clash of cultures, put a pair of c.1790-1800 Chinese export vases into the limelight at Hannam’s (20% buyer’s premium) sale at Selborne.

One of the smallest but most eye-catching lots at the Oriental sale at Bonhams Edinburgh (25% buyer’s premium) was two 4¼in (11cm) high Manchu officials’ bronze seals.

First such pocket atlas published in England leads a look at highly diverse auction selection

Huanghuali furniture in the form of a late Ming/ early Qing ping tou-an (recessed legs table) starred in the Oriental section of Brightwells’ (17.5% buyer’s premium) sale in Leominster.

The world of Chinese art remains open to collectors on modest budgets if they look to some of the less fashionable wares, those from later periods and pieces that carry damage.

A remarkable collection of around 4500 postcards relating to a wide range of aspects of Jewish life in the 19th and 20th centuries was the fascinating, and often sobering, centre of interest when offered by Norfolk auction house Horners (17% buyer’s premium).

On song at Stratford-upon-Avon, a late 19th century French automaton musical bird soared beyond the £1000-1500 estimate at Bigwood (19% buyer’s premium).

Among the flurry of sales providing a welcome spring tonic for the trade generally, two weighted heavily towards furniture provided welcome encouragement.

If a 74% selling rate points to continued selectivity among furniture bidders, the hammer total of £534,000 achieved at Dreweatts’ (24% buyer’s premium) 275-lot Fine Furniture and Works of Art sale showed they also have money to spend – “a trend we’ve seen for a while now”, said auctioneer Ben Brown.

This 19th century French walnut chest of drawers, offered at Ewbank’s (22.5% buyer’s premium) Surrey rooms, sold at £5500.

The sort of large-scale, widely varied provincial auction which had Cheffins auctioneer Luke Macdonald enthusing “it was like selling used to be 15 years ago” after his March 7-8 sale at Cambridge (ATG No 2335) is rarer than it used to be, but plainly alive and well and prospering.

Two William and Mary side tables, one period and the other catalogued as ‘style’, bringing different results in March.

Selling just short of the auction record, this 10in (26cm) tall stoneware pot, below, by John Ward (b.1938) went to an online bidder on thesaleroom.com at £17,500 at Rogers Jones (20% buyer’s premium) in Cardiff.

One says Scottish rather than Scotch except when one is referring to the spirit – or indeed, motor spirit as evident at the Edinburgh rooms of Thomson Roddick Scottish Auctions (17.5% buyer’s premium).

Having for decades been like one of those obscure religions in which passionate believers go about their business to the benign bemusement of everyone else, studio pottery is winning converts by the day.

Harking back to when the Netherlands was a powerful player in the tea trade, a rare, early 18th century silver caddy attracted international interest at Halls (20% buyer’s premium) of Shrewsbury.

Made by William Selwood (1607-53), one of London’s finest clockmakers before the ‘Golden Age’, this 16½in (42cm) mid-17th century brass lantern clock topped Ewbank’s (22.5% buyer’s premium) spring sale in Send.