Auction Reports

Heading the 800 lots of silver which opened the three-day sale at Lawrences (22% buyer’s premium) in Crewkerne was a 11¼in (28.5cm) tall flagon by Thomas Walker, Dublin, c.1750-60.

Bigger and better sales for Midlands and Surrey auctioneers and a successful debut auction for the new York venture Duggleby Stephenson (17.5% buyer’s premium) made for an encouraging start to autumn.

Rare appearance for quirky artist results in keen competition for work in trademark frame.

The appearance of the 19th century Meissen figure based on Kaendler’s original Count Bruhl’s Tailor begins to bring to mind Monty Python’s Green Knight as he rides undaunted into UK auctions despite his increasingly battered state.

While it was probably pleasing for a buyer at Holts (25% buyer’s premium) to know a pair of Purdey shotguns had previously been owned by ‘God’, or Eric Clapton as less passionate fans of the great guitarist know him, it did not materially affect the £160,000 winning bid.

In its short nine-sale history, Kingham & Orme (22% buyer’s premium) has experienced considerable success selling fans, 55 of which were included in the October 5-6 mammoth sale attracting bids from round the world. Many were of museum quality.

At a time when catering for niche interests is a profitable path for auctioneers, recent sales in Scotland, Ireland and England have shown that the furniture market can still come to life – provided it meets three criteria.

Modestly estimated staples of the once-booming Georgian furniture market can still bring pleasant surprises.

Nine centuries after it first became a thriving art form, Limoges enamel ware remains a popular choice as evidenced by a tazza offered by Chorley’s (20% buyer’s premium).

Chinese material beyond the headlining world of porcelain continues to boost totals across the UK’s salerooms, occasionally eclipsing estimates.

Probably a puzzle to all but experts in the field, the item shown below is a transit instrument – one of three which all went well above estimates at a cameras and scientific instruments sale held by Special Auctions Services (17.5% buyer’s premium).

Coalbrookdale cast-iron furniture, subject to ebbs and flows of fashion, has dipped a little in recent years, but this c.1850 occasional table is a rarity. It was surely made for the conservatory rather than the garden.

Taxidermy, having emerged in a few years from a dusty, rather unseemly subject to a rostrum hot topic, continues to flourish across the country.

A private collection of more than 30 pieces of Pilkington’s Lancastrian lustre excelled when offered at Lyon & Turnbull (25% buyer’s premium) in Edinburgh on October 10.

If bidders were to be lured to the ageless aspect of antiquities, one might think that a lamp which first lit the darkness two millennia ago would be hard to resist.

Headlines about antiquities today usually follow two paths: either highlighting the issue of looting or focusing on the huge sums treasures of the ancient world can command.

The biannual world tour of tribal lands – Alaska to New Zealand via Arizona, Africa and Taiwan – organised by auctioneer Will Hobbs at Woolley & Wallis (25% buyer’s premium) offered a global view of what is an active, if often unpredictable, field.

What still feels to many like the opening month of a new season got off to an excellent start with some serious, if occasionally unexpected, five-figure bids at four major provincial salerooms.

Figurative art was the other big seller in early September, led by the waxwork of Medardo Rosso’s sculpture Bambina Ridente (see last week’s News pages) which topped a successful week of sales at Chiswick Auctions (25% buyer’s premium) when it more than doubled the top estimate at £180,000.

This pair of Qing vases caught the eye of Hertfordshire auctioneer Richard Kluk when valuing jewellery at a London home.