Art Market

Modern British art assembled over a lifetime by a Monmouthshire-based collector generated some decent competition in a timed online auction at Rogers Jones & Co (24% buyer’s premium).

This early work by Christopher Richard Wynne Nevinson was completed during his later years at the Slade School of Art.

Simple, nature-inspired motifs and geometric shapes run through the work of St Ives artist Breon O’Casey (1928-2011).

A leading member of the Birmingham Group and closely associated with the Arts & Crafts movement, Joseph Southall (1861-1944) is probably best known for tempera painting – the painstaking medieval technique he helped revive.

Inspired by his trips to Richmond Park in south-west London, French-born sculptor Henri Gaudier-Brzeska (1891-1915) fashioned a number of deer sculptures.

Jon Scheuler, an American Abstract Expressionist known for his depictions of Scotland, is the subject of two Waterhouse & Dodd exhibitions next month.

Modern and Contemporary art was one of the sectors that seemed to experience an uplift of interest during the lockdown as people had more time to search online for works they like.

Two abstract landscapes by Denis Wirth-Miller (1915-2010) were among the works in demand at the latest Post-War and Contemporary art sale held at Lyon & Turnbull (26% buyer’s premium) in Edinburgh.

Interior Life, Hazlitt Holland-Hibbert’s exhibition celebrating Lucian Freud’s centenary, offers a glimpse at the artist’s collecting habits.

Multiple editions can make Contemporary art more accessible to the masses.

Does the Contemporary art auction market need levelling up?

Apparently Sally Arnup (1930-2015) knew she was going to be a sculptor from the age of five – taking a shed in the family garden as a studio.

The rise in Contemporary African art sales is reflected in the market and wider art world this autumn.

A new gallery has opened in Chipping Campden.

Five works by Maggi Hambling (b.1945) will be offered at Cambridge saleroom Cheffins on October 27.

Most watercolours by Violet Esther Drury Clutterbuck (1869-1960) tend to fetch a few hundred pounds or less at auction.

Watercolour of Oxford by the Victorian arbiter of taste benefits from attractive estimate.

Two large 18th century paintings of figures at the port of Antwerp drew plenty of comment when they went on display at the South Cerney saleroom of Dominic Winter in the run-up to its July 21 sale.

Artist’s huge and intrictately detailed watercolours depict famous capital landmarks

One of the highest prices for a work by Sheila Fell (1931-79) came at Newcastle saleroom Anderson & Garland’s (25% buyer’s premium) latest Country House & Fine Interiors auction.