Art Market

The record-setting £27.5m Canaletto at Christie’s last week represented the sixth highest sum ever recorded at auction for an Old Master. But what others feature in the top 10?

The late US dealer Richard L Feigen (1930-2021) handled works by numerous artists over his long career.

An enormous deceased estate in West Yorkshire has been providing Scarborough saleroom David Duggleby (25% buyer’s premium) with a vast range of works to offload over the last two years.

A large diptych depicting a profusion of colourful and curious figures attracted spectacular bidding at a recent sale held by Toovey's (24.5% buyer’s premium).

The ‘quintessential’ Cotswolds property Ready Token House near Cirencester has had an interesting recent history.

Provenance is all important when it comes to the works of Alfred Wallis (1855-1942).

The artist Mortimer Menpes (1855-1938) was something of a jack of all trades. But contrary to the old adage he was a master of many.

Over recent years, works painted in India by Arthur William Devis (1762-1822) have become a valuable proposition.

A work described ‘the masterpiece of Nathaniel Sparks (1880-1957)’ set a major record for the artist at Cheffins last month.

When it came to works drawing good competition at the latest series of Old Master auction in New York at the end of May, three works in particular caught the eye at Christie’s.

A string of works by East Anglian artists, each with their own well-established market, drew notable attention at the latest specialist sale held by Reeman Dansie (25% buyer’s premium).

The difficulties at the top end of the Modern and Contemporary art market were very much in evidence at the latest flagship auction series in New York.

Two pictures with natural history subjects drew the strongest competition among the Indian works of art consigned from the collection of the late Francis Golding (1944-2013) to a recent Roseberys’ (26% buyer’s premium) sale.