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It is relatively rare to find items of 16th century costume on the market, especially pieces in good condition. It is therefore perhaps not surprising that this gentleman’s doublet from c.1580-1600 should end up going to a major museum when it went under the hammer in a Paris auction this month.

It was in December 2014 that Sotheby’s put an estimate of £100,000-150,000 on what it called at the time “probably the most famous and evocative illustration of the 20th century”.

Galleries want to encourage first-time visitors during London Art Week...

Results for Kakiemon and Meiji metalwork underline stronger market for Asia’s ‘second tier’

Though their output was dwarfed by their male counterparts, talented 20th century Irish female artists pack a punch in the saleroom when their art does appear at auction.

Our weekly selection from salerooms and dealerships.

After a continuous 30-year period of trading, and a stockbook tally of around 10,000 pieces, Paris dealer in European ceramics Christophe Perlès has decided to take a break for a couple of years.

This ivory-inlaid fall-fronted cabinet is one of the highlights in a sale of Islamic and Indian art at Drouot by Ader on June 29.

A forthcoming exhibition of two private collections spotlights both the genius of 17th century clockmaking and the remarkable objects the market has yielded across a generation.

A late 17th century ebony veneered table clock with a pull quarter repeat took a mid-estimate £17,500 at Chiswick Auctions on June 6.

Tom Davies is director at the Mayfair gallery Daniel Katz, specialist in Old Master sculpture and paintings. It is a participant in 'London Art Week', hosting an exhibition titled Defining Elegance.

The recent crackdown on Russian money in London seemed to have little noticeable effect on the latest Russian art sales in the capital.

As a showpiece for horology, the 'Masterpiece' fair lives up to its name. For all its welcome focus on the cool of 21st century collecting, at its core the 'Masterpiece' fair is a high-quality antiques show in the tradition of the Grosvenor House fair it replaced.

As Christo, the Bulgarian-American contemporary artist, unveils his first public outdoor project for the UK this summer in Hyde Park, Stern Pissarro Gallery’s show also offers a look at some of the most celebrated works he and his wife ever created.

Glass bricks are a common sight in 21st century building construction, but back in the late 19th century they were cutting-edge industrial technology. They were employed by avant-garde architects such as Art Nouveau specialist Hector Guimard and the modernist Le Corbusier.

By 1677, the great English clockmaker Thomas Tompion (1639-1713) was subletting part of his famous London premises – The Dial and Three Crowns at Water Lane – to one Jasper Braem or Bream (fl.1677-96).

Bid to a record €18,000 (£15,660) in a May 15-17 series of sales held by Reiss & Sohn (18% buyer’s pemium) of Königstein, near Frankfurt, was a first edition of Immanuel Kant’s 'Critik der reinen Vernunft'.

Ken Hose, who has published three books on Australian clockmakers, has been fascinated by clocks and their mechanics since he was a teenager.

Three modestly valued works in regional sales including a work by Moira Beaty.

Hard-paste figures of Russian ethnic characters and workers have appeared at English auctions on a number of occasions in recent years (ATGs passim), generally to keen interest from the Motherland and eastern Europe.