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Earlier this year, the Paris auction house Artcurial sold an exceptional collection of Impressionist and Cubist works by the influential Czech avant-garde artist Otakar Kubin (1883-1969).

It may seem hard to credit nowadays, but photographs of fairies at the bottom of the Cottingley (Yorkshire) garden of two young girls, produced in 1917 as a practical joke, were taken to be genuine by many people – most famously, Sir Arthur Conan Doyle.

Taxidermy, having emerged in a few years from a dusty, rather unseemly subject to a rostrum hot topic, continues to flourish across the country.

A private collection of more than 30 pieces of Pilkington’s Lancastrian lustre excelled when offered at Lyon & Turnbull (25% buyer’s premium) in Edinburgh on October 10.

“If I was to select just one lot we have sold this year,” says John Albrecht, managing director at Leonard Joel, “it would be the haunting, period photo of Australia’s infamous bushranger, Ned Kelly, taken in 1874 after a boxing match.”

This medal documents a little-known moment in the history of the English Civil War. In 1648, following a revolt in the Parliamentary fleet, a number of ships went to Helvoetsluys in the western Netherlands and were organised as a Royalist squadron by Prince Rupert of the Rhine (1619-82).

This watercolour bearing the signature of Norwich School artist John Sell Cotman (1782-1842) attracted a flurry of bids when it went under the hammer in Nottingham.

Renowned today for his fusion of Post- Impressionism and eastern European folk-art, the Jewish painter Mark Gertler (1891-1939) was inspired at the outset of his career by the northern and early-Italian Renaissance masters.

Leading New Zealand firm Webb’s – established by Auckland gallery owner Peter Webb in 1976 – became part of Mossgreen in October 2014. Two businessmen and art collectors from the city, Ewen Mackenzie-Bowie and Bruce Qin, rescued the saleroom earlier this year following the collapse of the parent company and a regular calendar of sales is now in operation from new premises in Mount Eden.

Presented to Captain William Lonsdale (1799-1864) in 1842 by the people of Melbourne in recognition of his services to the founding colony, the Lonsdale Silver Presentation has remained in his descendants’ care for 176 years.

The case of Russian billionaire businessman Dmitry Rybolovlev versus dealer Yves Bouvier highlights a widespread problem in the art world: the definition of the role of agent.

After almost a decade of flatlining annual sales and the collapse of Mossgreen, Australia’s auctioneers are vocal about the improving market.

If bidders were to be lured to the ageless aspect of antiquities, one might think that a lamp which first lit the darkness two millennia ago would be hard to resist.

We ask ATG’s Richard Lewis why thesaleroom.com is changing its commission fee.

Distinctly patriotic in nature, stage and mail coach depictions started c.1815, reaching peak popularity in the later 1820s with the artist James Pollard (1792-1867).

Brought into a West Sussex saleroom some months ago, a manuscript grimoire, or collection of magic spells, invocations and more practical advice on ailments and aspirations, offered quite a challenge to the cataloguer.

Our weekly selection from salerooms and dealerships.

Headlines about antiquities today usually follow two paths: either highlighting the issue of looting or focusing on the huge sums treasures of the ancient world can command.