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Highlight of the June 24-2 Neal Sons & Fletcher was this Regency green marble-topped table. With brass scroll supports decorated with swan heads and a trefoil base veneered in burr walnut, and with ebony stringing and mouldings, the 2ft 2in (66cm) diameter, 4ft 4in (1.32m) high table had been ensconced in a local country house for many years.

Many in the art world will know of Professor E. T. ‘Teddy’ Hall through his work in archaeometry, the science used to establish the age and origins of much of the world’s ancient art and artefacts, using tests such as thermoluminescence.

To the uninitiated or those with a flamboyant taste in antiques, it might seem unbelievable that of the 4000 or so lots offered during London’s Asian art series this rather plain blueish-grey glazed brushwasher, above, could be the most coveted.

It’s not often a sale devoted entirely to a single owner collection of Netsukes turns up in the provinces but this was exactly what happened on June 18 at Halls (15% buyer’s premium) Shrewsbury salerooms.

Sotheby’s and Bonhams routinely include sections of Export porcelain in their general Chinese sales but Christie’s specialist Caroline Allen devotes her time solely to this field and it is an area she is keen to develop. To this end, Christie’s</b? (19.5/12% buyer’s premium) gave her the go-ahead to present a single-owner collection of European-subject Export porcelain in an individual catalogue even though it was never going to be a big money-spinning, seven-figure collection.

Illuminated Manuscripts and their Makers, by Rowan Watson, published by V&A Publications. ISBN 1851773851 £30hb

Burleigh: The Story of a Pottery by Julie McKeown, published by Richard Dennis Publications. ISBN 0903685809. £45hb

FROM August 21 to October 26, The Wallace Collection in Manchester Square will host what they bill as the first ever exhibition in London devoted entirely to Regency and Victorian glass.

Bowrings, India’s only specialist fine art auction house, is to close after just two years of business to allow for lengthy court proceedings against the Indian government. The auctioneers have filed a writ against the Indian Ministry of Culture’s regulatory body ASI (Archeological Survey of India) and the CBI (Central Bureau of Investigation) disputing the demand that they need a licence to operate and sell antiquities.

LAST-minute efforts to persuade the Government to amend legislation that could prove damaging to the honest trade in antiques looked set to pay off as the Antiques Trade Gazette went to press.

Originally belonging to the Dean family of Fareham House, Hampshire, this pair of Sheraton period mahogany folding card tables, right, was offered at the Cotswold Auction Company (15% buyer’s premium) on June 10.

Netherhampton House, a wonderful Queen Anne home in Salisbury, was the venue for Duke’s English Country House sale on 16 June. Rented from the Pembroke estate since 1990 by dealer and collector John Parnaby, the elegant stone property operated as both a home and a showroom for Mr Parnaby’s business, Victor Mahy Antiques, specialists in 17th and 18th century furniture and works of art.

ERIC Knowles crowned his fourth year as the chairman of the British Antiques and Collectables Awards with another grand dinner and ceremony at the Dorchester in London hosted by Miller’s. The event, which took place on Tuesday last week, paid tribute to excellence across the country among dealers and auctioneers.

John Hassell (1868-1948) produced designs for some 600 to 700 posters – including one for the British Vacuum Cleaner Company depicting a lecherous bit of machinery chasing a nubile parlour-maid – but by far his best known work is Skegness Is So Bracing.

Even as the million-pound Impressionist and Modern pictures were being knocked down in their King Street saleroom last week, Christie’s were reconfirming their commitment to the currently troubled middle market sector.

There has been considerable reportage on the subject of commemorative medals at auction recently, and the considerable museum participation in auction sales. So spare a thought for the dealer who issues fixed-price lists. Two fine English fixed-price catalogues have recently thudded through my letterbox.

Highlight of the remainder of the Roy Mickleburgh collection sold by Bristol Auction Rooms on June 24 was this rare monkey band automaton, c.1870. The nine-piece chamber orchestra includes no fewer than 43 separate movements operated by a French mechanism and is housed in a rosewood veneered two-part case with a 48-note German-made crankwind barrel organ below playing a choice of seven tunes.

On July 21 and 22, Sotheby’s will be holding a house contents sale at Wormington Manor near Broadway. This was the Worcestershire home of interior decorator, Christopher Rowley whose shop in Lower Sloane Street, Belgravia was a familiar meeting point for his large circle of friends and clients until his death in April this year.

THERE are few better ways of spending a sunny June afternoon than browsing around the gardens and castle of ’s-Gravenwezel, 10 miles outside Antwerp, as a guest of its owner, the legendary Belgian antique dealer and interior decorator Axel Vervoordt.

Apart from their specialist commemorative medal sale, Morton & Eden (15% buyer’s premium) busied themselves with a general 1025-lot sale on May 21 which made a total of £592,877. This fine result was coupled with a reasonably small failure rate of just 12 per cent. This is about the norm for more specialised events but hard to achieve in a general sale.