Auctions

One of just 100 copies of a scarce, privately published edition of poems called Salvo for Russia, produced in 1942 in aid of the ‘Comforts Fund for Women and Children of Russia’, was offered in a recent West Country sale.

Christie’s spring decorative arts sale will take place on May 22. It features works by some of the current hot favourites in this field, notably the Lalannes and Rembrandt Bugatti.

Quinn’s Auction Galleries is selling a collection of around 1000 pieces of Wedgwood assembled by Adele Barnett, the founder and past president of Washington DC’s Wedgwood Society, and her husband Alan. The collection is to be offered in its Falls Church saleroom on April 14.

A Dutch auction house is planning to launch regular sales in London as, it says, the art and antiques market in Holland has contracted.

When Frances Noble, head of Dix Noonan Webb’s jewellery department, was shown this coronet with a family tradition connecting it to the Duke of Wellington, it was caked with dirt.

A gloriously Welsh view of a jagged, grey slate quarry by JMW Turner (1775-1851) took top honours at Cardiff saleroom Rogers Jones (20% buyer’s premium).

Provenance played a key role in the performance of a small group of pictures formerly owned by one of Australia’s biggest artists, Sidney Nolan (1917-92).

A panel front from a cassone will feature in the April 24 sale of Old Master paintings to be held by Dorotheum in Vienna.

The sort of large-scale, widely varied provincial auction which had Cheffins auctioneer Luke Macdonald enthusing “it was like selling used to be 15 years ago” after his March 7-8 sale at Cambridge (ATG No 2335) is rarer than it used to be, but plainly alive and well and prospering.

An oil by the famous Maltese painter Giuseppe Cali (1846-1930) fetched a five-figure sum when it went under the hammer at Moore Allen & Innocent (20% buyer’s premium) in Cirencester.

The central 350-lot section of the auction of clocks, watches and scientific instruments to be held by Skinner in Marlborough on April 20 comprises a single-owner collection of European tools.

Two William and Mary side tables, one period and the other catalogued as ‘style’, bringing different results in March.