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The collective noun ‘petroliania’ may be unfamiliar to some readers, but it’s a useful and profitable one as evidenced at the biannual sales held by Chippenham Auctions’ sister-auction house Richard Edmonds (20% buyer’s premium).

Waterhouse & Dodd’s upcoming exhibition focuses on the influence of David Bomberg’s (1890-1957) paintings on a wide circle of artists.

An Edwardian emerald, pearl and diamond pendant by Carrington & Co, London sold for £24,500 (estimate £6000-10,000) to an online bidder at Stacey’s (20% buyer’s premium) in Rayleigh on March 20. The central heart-shaped old-cut stone weighs 3.5cts and was given a colour grade of K/L and a VS clarity.

Three high-quality sales from the north to the south gave a cheerful air to spring. The catalogue at Tennants in North Yorkshire pretty much covered the range but in Sussex and Buckinghamshire the emphasis was on furniture.

Generally regarded as a guide of things to come, the Spring Fine Sale at Tennants (20% buyer’s premium) at Leyburn on March 24-25 left auctioneer Jeremy Pattison in an upbeat mood.

A 600-lot sale devoted to Asian art held by Tremont auctions in Newton, Massachusetts, on April 23 will include a 4ft (1.2m) high vase made in the late 19th century.

A late 19th century/early 20th century ruby cameo and baroque pearl pendant once formed part of the celebrated jewellery collection assembled by Ganna Walska (1887-1984). It sold for a multi-estimate £55,000 at Sotheby’s (25/20/12% buyer’s premium) sale of fine jewels in Bond Street on March 22.

Otto von Guericke’s Experimenta nova (ut vocantur) magdeburgica de vacuo spatio… of 1672 describes the experiments in which he produced an air pump able to create a vacuum and thus demonstrate the pressure exerted by our atmosphere.

In the chapter titled ‘Modern Jewellery’ in her taste-making book, The Art of Beauty (1878), English writer Mary Eliza Haweis references the “artistic appreciation of good forms and good work” she found at Messrs Phillips of Cockspur Street.

While Degas’ youthful drawings produced some notable individual prices in Drawings Week, it is the classic charcoal and pastel drawings of Parisian dancers and workers from his mature years that are the most commercially popular (the current work on paper record is the premium-inclusive $37m/ £23.35m/€29m paid for Danseuse au repos of 1879 at Sotheby’s New York in 2008).

A carte-de-visite album of the 1860s containing a previously unknown photograph of the abolitionist heroine Harriet Tubman was one of the high points of the March 30 sale held by Swann (25/20/12% buyer’s premium).

From noble jewels to semi-precious gems, a show in May will celebrate a ‘golden period’ of Portuguese jewellery in the 18th century. Here we preview the exhibition and then present other recent and forthcoming sale highlights.

Dominated as they were by furniture, the March sales at Lewes and Donnington Priory included other highlights.

MADAM – As someone with a foot in both artist and auctioneer camps, I’d like to add a contrary view to the often one-sided debate on Artist’s Resale Right (ATG No 2287).

A piece of Russian porcelain and an Asian painting raised most interest at West Country auctioneers Tamlyns (18% buyer’s premium) on March 8. However, a 13in long (34cm) gouache scroll painting of magpies and prunus was considerably more of a surprise.

Maastricht in March. It’s difficult to think of anything other than TEFAF within this setting, but one local dealer has established his own tradition, coinciding with but apart from the fair.

Among the raft of dedicated works on paper auctions staged for the recent Drawings Week in Paris were two market-fresh sales devoted to family collections of works by a single French artist.

The March 29 sale by Bonhams (25/20/12% buyer’s premium) of books from the library at Glyn Cywarch featured many highlights.

Torn, punched with holes, creased, wrinkled and showing loss at the folds, an ‘Organizational Clothing and Equipment Record’ used at Fort Hood, Texas, in 1958 would not at first sight seem an attractive proposition.

Charles Rattray was a tobacconist and blender of fine tobaccos at 160 High Street, Perth. The firm occupied these premises from c.1915 until 1981.