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Creating A Splash: The St Ives Society of Artists – The First 25 years (1927-1952) by David Tovey, published by Wilson Books, 11-13 Mill Bank, Tewkesbury, Glos GL20 5SD. Tel: 01684 850898 email: tovey@millavon.fsnet.co.uk ISBN 0953836339 £35 sb

THE 36 sq.metre habitation module, pictured right, one of a series designed for a holiday village by Jean Manevel in 1965, was by far the biggest item on offer at the Pavillon des Antiquaires staged in Paris from September 20-28. It occupied one end of the Pavillon’s 200m marquee in the Tuileries Gardens, and was sold by Jousse Entreprise to a Paris private buyer for €50,000 (£35,000).

‘SEE NAPLES AND BUY’ is a headline that has previously made its mark in the Antiques Trade Gazette when some Neapolitan scene has tickled the fancy and the bank balance of a determined picture bidder, but it was never more applicable than in the case of the Worcestershire couple who bought the superbly preserved Attilio Pratella (1856-1949), shown right, at the Colwyn Bay auctioneers Rogers Jones & Co (6% buyer’s premium) on September 27.

Mauchline Ware: A Collector’s Guide by David Trachtenberg and Thomas Keith, published by the Antique Collectors’ Club. ISBN 1851493921. £35 hb

London marine sales can be routine affairs, but there was a frisson of speculative interest in this unsigned and unattributed 19th century canvas, right, which ended the 171-lot picture section of Bonhams’ (17.5/10% buyer’s premium) October 1 marine offering in Knightsbridge.

SEVEN HUNDRED or so lots were offered in the September 23 sale held by John Nicholson of Fernhurst, and though there were some disappointments – notably the 1776 volume of The Scots Magazine that contained the first Scottish printing of America’s Declaration of Independence, valued at £5000-8000 – almost 80 per cent of lots, big and small, found buyers.

IN 1992 Norfolk dealer Liz Allport-Lomax formed Lomax Antiques Fairs to launch the East Anglian Antique Dealers Fair at Langley Park School, Loddon, Norfolk. Now she is arguably East Anglia’s top organiser with four annual events, each with a waiting list.

MOROCCO’s nascent attempts to establish a reputation as an international auction venue were given fresh impetus by the 200-lot sale staged in Casablanca on September 20 by the Compagnie Marocaine des Oeuvres & Objets d’Art (18/16/14% buyer’s premium).

HERE is a tale of good luck from Julian Tatham-Losh, who owns and deals out of Top Banana Antiques Mall, Tetbury, Gloucestershire. On returning to his car at the Chatou fair in France recently, Julian lost a money belt containing some £4000 in cash.

A REMINDER that there is still some time to catch the 18 special exhibitions mounted by members of The Cotswolds Antique Dealers Association as part of their annual exhibitions fortnight, and this year to celebrate the association’s 25th anniversary. The shows are scheduled to close on October 25, but I am sure there will still be some exhibition items on sale after that date.

Ethelbert White (1891-1972): Painter Printmaker by Hilary Chapman, published by Primrose Hill Press Ltd, Stratton Audley Park, Bicester, Oxon OX27 9AB ISBN 190264834 6 £29.85 hb

Historians of the craft of fish carving currently believe that the Scotsman John B. Russell (1819/20-1893) was the first professional maker of such models. Working with carver John Tully at the Fochabers Studio, which made models for Farlow & Co. into the 1930s, Russell is known to have been producing these fine trophies from around 1880, although the early date to the example pictured here suggests some rewriting of the literature might be required.

Bonhams weren’t the only London salerooms to be offering a good selection of antique glasswares. On October 9, just a week after the Harvey’s dispersal, Christie’s South Kensington (17.5/10% per cent buyer’s premium) had a mixed-owner 280-lot selection of British and Continental glass to offer as part of their monthly At Home series.

Fontainebleau auctioneer Jean-Pierre Osenat, 57, has replaced ArtCurial’s Hervé Poulain as head of France’s auctioneers’ association, the Syndicat National des Maisons de Ventes Volontaires (SYMEV).

AXA Art are holding a one-day seminar on protecting and conserving art on October 28 at the Royal Society of Arts, London. Before Art Falls Apart: Achieving Consensus on Care, Protection and Value will look at the changing role of dealers, curators, collectors, legal and academic experts, brokers and insurers in this field.

Sad news. The drunken rats and the two-faced lamb have finally parted company.

AUSTRALIA: Today there is no love lost in any Ashes series between England and Australia. It is a hard-fought duel which engenders at best a grudging respect, but a silver presentation tray which will be offered by the Australian auctioneers Lawson Menzies on October 19 is a reminder that the original Ashes series was played in a rather more convivial spirit and ended in a true love match.

Exceptional quality pictures with truly international appeal from long-standing private collections have become an all-too-rare sight in the provinces, but on October 3, thanks to significant consignments from no fewer than three deceased estates, Mallams Oxford (15% buyer’s premium) were able to offer at least half a dozen lots that wouldn’t have looked out of place at any of the world’s most expensive art fairs.

CLOSING this Saturday (October 18) and not to be missed, is an exhibition of photographs by Michael Cooper at the Atlas Gallery, 49 Dorset Street, London W1. One of the great archives of 1960s photography, this show has prompted the Independent on Sunday to brand the snapper as “The Swinging Sixties’ poet of the lens”. Lennon, Magritte, Warhol, Burroughs, the Rolling Stones, Twiggy, and Hockney are all featured among the 37 photos priced from £800 to £6000.

While the original Friendly Society was a successful London fire insurance association, the name was adopted throughout 18th and 19th century Britain to describe every kind of mutual aid organisation.