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DECADES before Damien Hirst’s formaldehyde sheep and the 1990s explosion of Britart, London was swinging to the rhythm of Pop Art’s movers and shakers. Forty years have now passed since the height of this international movement prompting Christie’s South Kensington (19.5/12% buyer’s premium) to host the first of what they hope will become an annual Pop Art themed sale on June 30.

LEOMINSTER auctioneer Brightwells will offer the lifetime collection of recorded sound enthusiast Don Watson, in a single vendor sale on July 29.

RIGHT: despite the occasionally negative press the antiques trade has received in recent weeks a media circus arrived at Sotheby’s on July 7 to watch the Bond Street auctioneers sell Young Woman Seated at the Virginals, a newly-acknowledged picture by Johannes Vermeer (1632-75).

IN its latest published results, Partridge have recorded a significant fall in both turnover and profits citing again the very difficult trading conditions.

ROUNDING off the European furniture, carpets and works of art sale at Christie’s South Kensington (19.5/12% buyer’s premium) on June 15 was a 78-lot collection of hall stands, mostly made in cast iron.

AT Scarborough Perry Fine Arts' (15% buyer's premium) June 24-25 sale, auctioneer Stephen Perry, who had given a distressed Regency painted settee sofa a modest pre-sale estimate of £400, admitted ruefully after seeing it go for ten times that amount: “I can value furniture in general but I find it difficult to value interior decorator’s pieces.”

THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.

SINCE 1986 Christopher Gange has been a dealer in 20th Century British Art at his Katharine House Gallery at The Parade, Marlborough, Wiltshire, but for the month of July, in a new departure, he is holding an important selling exhibition of British Studio Pottery, formerly part of his private collection.

FOR 71 of his 84 years Harry Davis (1885-1969) worked as a decorator at the Royal Worcester factory, ultimately rising to the post of foreman painter. He painted a wide variety of subjects, but is best known for his sheep-decorated landscapes, all produced in the first quarter of the 20th century.

DAVID Teniers the Younger’s whimsical 6 x 8 1/2in (16 x 22cm), oil on copper view of Monkeys Playing Cards, sold to a private buyer against the London trade for a double-estimate €220,000 (£146,665) at Tajan on June 24.

THE problem with over-ambitious estimates does not just apply to the sort of significant paintings which consignors may be led to believe are worth sums in the £100,000-£1m range.

THIS 18th century embroidered and appliqué yellow felt horse blanket, right, emblazoned with the arms of the Tighe family and their motto Summum Nec Metuam Diem Nec Optem (Let me neither fear nor wish for the last day), was an evocative reminder of 18th century Dublin pageantry.

WITH selling rates that rarely dip below 80 per cent and steadily increasing totals that are the envy of more traditional departments, auctions of Contemporary art continue to go from strength to strength.

REGULAR sales of toys, dolls and bears are among the specialist categories pinpointed for expansion by Brightwells (15% buyer’s premium) of Leominster.

IN the same week that Sotheby’s and Christie’s were offering their summer selections of English furniture, Bonhams’ Bond Street (19.5/10% buyer’s premium) offered a 224-lot English and Continental mix that also incorporated a sizeable selection of works of art. The broader mix didn’t result in a higher take-up: selling rates for this July 29 event were 54 per cent by lot and 65 in money on a £640,440 total.

THE highlight of a 15-piece collection of Wedgwood ceramics offered for sale by Kidson-Trigg (15% buyer’s premium) of Highworth on May 26-27 was a pair of Wedgwood & Bentley black basalt oil lamps (one shown top right) that would have represented the height of fashion c.1775.

THIS elaborate late 19th century boulle longcase is typical of the revivalist furnishings that were the stock-in-trade of the Acton-based television and film-props company Period Props and Lighting that closed earlier this year after 30 years in the business. Their inventory was enormous and will provide Rupert Toovey & Co’s (15% buyer’s premium) rooms at Spring Gardens, Washington with a series of sales. The first tranche was offered on June 15.

CELEBRATING 15 years trading in their present premises, Anne and William Morris, who operate as Ruskin Decorative Arts, have a summer selling exhibition at 5 Talbot Court, Stow-on-the-Wold from July 17 to 25.

WITH its prevalence of antiques shops and auctioneers, one might imagine a degree of difficulty in locating a member of Cotswolds society untouched by the world of antiques.

ROUNDING off a sale of Western Manuscripts and Miniatures at Sotheby’s on June 22 was what, at first glance, must have seemed an unusual inclusion in a manuscript sale – a 13 1/2in (35cm) high carved ivory plaque featuring a figure of a Roman Consul.