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In Cologne on October 26 W.G. Herr (18% buyer’s premium) staged a Jubilee sale to mark their 50th auction in the cosy Friesenwall gallery where, as he puts it, Werner Herr has been “swinging the hammer” for 20 years.

For all those fans who ever longed to run their fingers through Elvis Presley’s hair, now there’s a chance. While locks or strands of Elvis’ boot-polished black hair have been sold in the past, one of more than 1400 memorabilia lots in a sale closing on November 14-15 on www.mastronet.com is something just a bit special.

Back on October 8, Christie’s South Kensington (17.5/10% per cent buyer’s premium) held one of their periodic silver sales where the emphasis is on Scottish and Irish silver. There is a keen collector’s market for such pieces if they are unusual in some way (carrying scarce Scottish provincial marks, for example), but standard material, as with much else in the silver field, is less eagerly snapped up unless very keenly priced. So it proved here.

Wine-related silver is sitting at the top table of the market at present as the luxury boozing culture of hard-working businessmen props up the value of coasters, labels, corkscrews and funnels. But one area that has not benefited so much from the interaction of wine merchants and boardroom boys in recent years has been the standard Victorian decanter and claret jug.

There were no massed ranks of Prussian royal silver on offer at Sotheby’s Olympia (17.5/10% per cent buyer’s premium) on October 24. On offer here was a good 350-lot commercial mix of English and Continental fare from a variety of sources which netted £310,000.

THAT the Berkshire auctioneers Law Fine Art could garner more than 1000 lots, sell more than 70 per cent of them and reach a total of £160,0000 for this latest of their thrice-yearly ceramics and glass sales says as much about Mark Law’s and Nicholas Lyne’s operation as it does for the general strength of ceramics in these generally difficult times.

LONDON: AXA Art Insurance, sponsors of Asian Art in London, have announced the winners of the two AXA Art Awards, one for two-dimensional and the other for three-dimensional works.

Antiquities dealers could find their trade in legally exported artefacts threatened despite due diligence if the Egyptian government succeeds in reversing Sotheby’s sale of a granite bust of Ramses II.

The importance of clear due diligence in dealings has been highlighted by an Irish court overruling the country’s statute of limitations on stolen goods in a civil case.

The Impressionist and Modern sales were not the only New York sales last week to smash auction records. Christie’s November 5-6 sale of 19th and 20th century prints brought an extraordinary record price for a single print by Henri de Toulouse Lautrec. La Grande Loge, an 1897 lithograph in colours on wove paper, was an extremely rare and previously unrecorded colour trial proof produced before an edition of 12.

The patent dispute pitching a Virginia inventor against eBay appears to be heading to trial. US District Court Judge Jerome Friedman issued a series of rulings in late October that, while firming up aspects of eBay’s defence, rejected the company’s attempts to have the claims – made by MercExchange, a Virginia technology company – thrown out.

UK: SOTHEBY’S have denied reported claims by a gang caught in possession of stolen antiques that they had an insider working at the auction house. The theft was highlighted after the arrests of four Romanians and one Kosovan last week during a police sting to uncover an alleged plot to kidnap the celebrity Victoria Beckham.

The trade were in mourning last week following the deaths of New York-based dealer Tom Devenish, aged 84, Guildford dealer Charles Traylen, aged 96 and London silver dealer Michael Koopman, aged 56.

DESPITE warning after warning – the latest on the front page of last week’s Antiques Trade Gazette – dealers are still falling foul of Fairguide, the Vienna-based firm who have been misleading the trade into ordering unwanted advertising for years.

OF the three new world auction records taken at Christie’s Rockefeller Center saleroom on the evening of November 6, two of them were for pieces of sculpture. This follows on from Christie’s success in the May Impressionist and Modern sales, their best – as Sotheby’s were for them – for some time, when Constantin Brancusi’s 1913 bronze Danaïde took $16.5m (£11.6m), the highest price for any piece of sculpture sold at auction.

Miller’s Is it Genuine? How to collect antiques with confidence General Editor John Bly, published by Miller’s. ISBN 1840006234 £19.99

SHOWING until November 23 at Gary Grant’s gallery at 18 Arlington Way, London EC1, near Sadlers Wells, is a selling exhibition Post-war patterned pots which offers 110 pieces highlighting innovative designs on mid-20th century ceramics.

David Dickinson Cheap as Chips: the Duke’s Priceless Guide to the World of Antiques video, available from November 18. £14.99; DVD version £17.99. Running time 51 mins. Momentum Pictures.

The 12th specialist textiles sale under the Rossini (17.342% buyer’s premium) hammer at Drouot on October 9 attracted keen trade interest, with 76 per cent of the 550 lots sold, yielding a hammer total of some €430,000 (£270,000).

GIVEN the fiscal disadvantages involved, Christie’s and Sotheby’s won’t usually be looking to Paris as a venue for sales of Modern art, but Christie’s (buyer’s premium 20.93%) had a modest French Collection of Post-Impressionist & Modern Paintings and Drawings on offer on September 28 that fared well enough, with 40 lots from 43 sold for a hammer total of €1.04m (£650,000) with seven per cent bought in by lot and just two per cent by value.