Europe

FRANCE: François Curiel has regained his post as head of Christie’s France after the abrupt departure of Dominique-Henri Freiche.

GERMANY: The sales of the firm of Kricheldorf (15% buyer’s premium) of Freiburg are relatively rare occasions but when they do hold them there are a large number of lots. There were two sales in July at Berlin. That on July 29-30 was a general affair (4205 lots).

AMSTERDAM: It was a full house at the Christie’s Amsterdam(23.205% buyer’s premium) salerooms on July 2, when the one-off sale of African and Oceanic Art from the Estate of the late Baron Freddy Rolin took place.

There is to be a major sale of Irish coins and medals in Dublin next year, on Friday, February 21, at the time of the Dublin International Coin Fair. This is being jointly hosted by James Adam of Dublin and Bonhams under their alias Glendining’s.

GERMANY: There was widespread relief in the art world last week when the Zwinger Palace museum was saved from the worst of the flooding in Dresden.

GERMANY: The world’s largest collection of Meissen porcelain has had to be rescued from serious flooding – only a week after plans were announced for the re-opening of the museum that houses it.

The ceramics highlight of a mixed subject sale at Raymond de Nicolaÿ (17.94/14.35% buyer’s premium) at Drouot on June 26 was this elaborately decorated maiolica charger c.1520, from Deruta, 19in (49cm) in diameter, which made a double-estimate €330,000 (£213,000).

After three years of restoration work, the porcelain rooms of the Zwinger State Art Collection in Dresden are to re-open to the public on Sunday October 6.

ANTHONY Molloy worked as a wildlife ranger for Ireland’s national heritage service, Duchas. When he retired a few years ago, at 65, his farewell gift was not the traditional watch, but a metal detector.

FRANCE: Millon & Associés (17.5/ 13.5% buyer’s premium) June 26 sale included two watercolours taken from an album of drawings by Eugene Delacroix, which the artist presented to Count Charles de Mornay on their return from Morocco in 1832.

FRANCE: THE Louis XVI pyramid clock, 2ft 1in (63cm) and confidently attributed to bronzier François Vion, soared to a double-estimate €200,000 (£129,000), despite the fact that the escapement and pendulum suspension had been replaced, at De Nicolaÿ (15/10% buyer’s premium) on June 26.

ITALY: A record price for a painting by Carlo Carrà was established in Italy back on May 21 in a sale of contemporary art held by Christie’s in Milan.

TOULON-based, but owned by Britain’s dmg, the Societé Française d’organisation have acquired the Cagnes-sur-Mer Antiques Fair which will be held next in the famous Hippodrome of the town in South-West France from September 12 to 16.

Ferdinand Georg Waldmüller’s small 1832 child portrait of the future Kaiser Franz Joseph as a Small Grenadier playing with toy soldiers, right, panel 13 x 11in (33.5 x 28cm), led the Wiener Kunst sale in Vienna on June 11 with a low-estimate €150,000 (£97,000).

Sales by members of the Paris Compagnie des Commissaires-Priseurs (i.e. all Paris auctioneers bar Christie’s and Sotheby’s) fell 15 per cent in the first half of 2002 to €290m (£187m), as compared to the first six months of 2001.

After 236 years of auctioning wine in London and other international centres, Christie’s will be holding their inaugural sale of fine wines in Paris on September 14.

FRANCE: A stud farm will be the unusual yet appropriate venue for for an auction of all things equines in Orne, Normandy on July 21.

ITALY: VENICE-based auction house Semenzato is to be merged into Finarte of Milan in early August with a view to taking on Sotheby’s and Christie’s head on in Italy.

SALES IN PARIS – THE LAFOND COLLECTION: A RAREFIED array of pharmacy jars formed the basis of the former Louis Lafond Collection presented at Briest on June 4. Lafond (1880-1950) was a practising chemist whose unremarkable personal history epitomises that of the dedicated, middle-class, often anonymous buying public that continues to flourish in France and, especially, at the Hôtel Drouot.

Every picture tells a story, but in the case of Théodore Chassériau’s large portrait of Comtesse de Latour-Maubourg, it was condition as much as content that revealed the artist’s state of mind at the time.