Europe

A successful sale isn’t always an instant transaction and one of the more notable features of exhibiting at a fair is follow-on business. This can often take some time to materialise but is nonetheless satisfying, especially when it produces a particularly pleasing conclusion, as was the case with this pair of 18th century Sèvres vases à compartiments, pictured right, which London dealer Robert Compton-Jones of the Woollahra Trading Co. took to the Paris Biennale last September.

THERE will be plenty of antiques activity in central Paris this autumn, centred on two major fairs each with their quota of high- profile international dealers. A feast for fairgoers, but also behind the scenes a feast for those with a taste for intrigue since, as is so often the case with the Paris trade, there is plenty of politics involved. My Paris-based colleague Simon Hewitt takes a peek behind the arras and reports:

ITALY: MORE than 440 lots of silver and Russian works of art were offered at Christie’s (24-18.5% buyer’s premium, excluding VAT) sale in Rome on June 12, of which slightly less than half sold.

SPAIN: The spring and early summer auctions in Madrid were notable for one outstanding sale held at Alcalá Subastas, which generated not only a very large total but also some controversy. Alcalá Subastas (15% buyer’s premium) counts on the considerable expertise of Richard de Willermin as their paintings expert.

Following the Camard auction, the most important 20th Century Decorative Arts sale of the Paris summer season, was that staged by ArtCurial (20.33/17.94/11.96% buyer’s premium) at the Hôtel Dassault on July 2.

Subastas Segre (16% buyer’s premium) held their monthly sale from May 20 to 22. In the picture catalogue, top price was the double-estimate €30,000 (£22,060) for a complete set of Goya’s Caprichos, catalogued as First Edition but not in ideal condition. A 3ft 3in (1m) square abstract oil on canvas of 1982 by Fernando Zobel (1942-1984), whose work is highly regarded in Spain, made €23,700 (£17,425).

ON June 17, Finarte-Semenzato held a further sale of furniture and Old Master paintings in Milan, offering almost 540 lots of which less than half sold.

Zurich auctioneers Hess-Divo (15% buyer’s premium) held their fourth annual sale of 100 Raritäen on May 7. These events stand apart from their general sales and the catalogues are a mine of information.

One of the big classical numismatics events of the year is the spring sale at Leu (15% buyer’s premium) in Zurich. This year’s, on May 5-6, was a bumper crop – with 1156 lots it is the largest sale that Leu have held since their foundation in 1956.

DRESDEN’S Zwinger palace will enter the second phase of its renovation process in September, less than a year after the first phase culminated in the opening of the Porcelain Collection.

FRANCE: July and August are periods of considerable saleroom activity for the coastal regions of France. The calendar here lists over 80 different sales scheduled for the next few weeks around the Channel, Atlantic and Mediterranean coasts but a much more detailed survey of these regions and forthcoming events is available in a special six-page section of this week’s Antiques Trade Gazette. If you wish to obtain a free copy call ++ 44 (0)207 6600.

THERE are few better ways of spending a sunny June afternoon than browsing around the gardens and castle of ’s-Gravenwezel, 10 miles outside Antwerp, as a guest of its owner, the legendary Belgian antique dealer and interior decorator Axel Vervoordt.

A bunch of flowers sold to a private buyer brought a welcome fragrance for Christie’s (24-18.5% buyer’s premium, excluding VAT) in their auction of Modern and Contemporary Art in Milan on May 26, and proved a powerful attraction, with a full room and numerous bidders on the telephone.

FRANCE: Knitting was a great leveller in the 18th century, it seems. An ivory pair of knitting needles, said to have once belonged to Marie-Antoinette, sold for €26,000 at Piasa (17.94% buyer’s premium) sale or royal memorabilia in Paris on May 21.

Miety Heiden, Sotheby’s Amsterdam (22% buyer’s premium) picture specialist had a sneaking suspicion that Schelde Roeier, an oil on canvas by Belgian Expressionist Constant Permeke (1886-1952), would do well when it was offered in the 170-lot May 27 sale of Modern and Contemporary Art in the Dutch capital. But no-one was prepared for the record breaking sum.

THE Decorative Arts sale on May 19 at Tajan (14.35/20.33% buyer’s premium) was devoted almost exclusively to Art Deco and saw 165 of its 288 lots (57 per cent) find takers en route to a total of €3.18m (£2.2m) including premium. Unlike the sales at Sotheby’s and Christie’s, the catalogue was in French only with no English translations.

ACCORDING to residents of the Trapani region in Sicily, the coral to be found there is the reddest in the world. This may be myth but what certainly is not fabrication is the popularity and desirability of objects made from this striking natural material.

THE London Irish sales are the annual litmus test of the very top end of the Irish picture market. Upcoming at the time of writing, this year’s sales at Christie’s and Sotheby’s (May 15 and 16) seem to lack the numbers of big hitting pictures seen over the past ten years, reflecting the reluctance of vendors to come into today’s nervous market in which estimates are based upon realities rather than the wishful thinking that used to be good enough.

THE NAME of Jean-Baptiste de Machault d’Arnouville (1701-94), Finance and Navy Minister under Louis XV, provided lustrous provenance to the top lots at the sale of art and furniture held by Beaussant-Lefèvre (14.35-17.94% buyer’s premium) at Drouot on April 25.

THERE were suppressed cries of irritation from the public at the May 8 sale held in Madrid by Alcalá Subastas as the Spanish State pre-empted all the important lots of the evening, including two newly-discovered paintings by Goya.