Europe

The mammoth disposal of the Aristophil collections of historic manuscripts began last week with a premium-inclusive €17.6m series of seven June auctions offered over four days at Drouot (June 15 and 18-20).

It took less than five minutes for a work by Max Beckmann (1884-1950) to become the most expensive painting ever sold at a German auction.

More than 50 works by the French modern sculptor César (1921-98) are on display in the artist’s home city of Marseille.

Germany’s most expensive painting sold at auction, an unusual early firearm and a fin de siècle snake charmer are among the highlights featured here from recent auctions in Munich, Berlin and Cologne.

Bound together, first editions of both parts of the 1679-83 edition of Maria Sybilla Merian’s study of caterpillars and their transformation into butterflies, Der Raupen…, sold to a Danish bidder for €42,000 (£32,060) in a sale held by Ketterer Kunst (23% buyer’s premium) of Hamburg.

The post-war industrial modernist designs of Jean Prouvé and Charlotte Perriand remain firm sellers. Pieces from their best-documented commissions, like the furnishings created in the 1950s for the student residences of the Cité Universitaire in Paris, are particularly strong.

Most high-flying ‘design’ is made in multiples. These can be limited editions in short runs but, as some of the most iconic pieces have been produced in their millions, their commercial value is typically vested in early examples or prototypes.

Post-war material is attracting growing interest across all sectors of the art market. A pioneer was the Design sale that championed the creations of designers and taste makers from the second half of the 20th century and beyond.

The specialist Finnish lighting designer Paavo Tynell proved to be the strong suit in a 111-lot Scandinavian design sale held by Artcurial (25/20/12% buyer’s premium) in Paris.

The Hôtel Drouot in Paris is to host a street art fair this autumn.

It is relatively rare to find items of 16th century costume on the market, especially pieces in good condition. It is therefore perhaps not surprising that this gentleman’s doublet from c.1580-1600 should end up going to a major museum when it went under the hammer in a Paris auction this month.

Though their output was dwarfed by their male counterparts, talented 20th century Irish female artists pack a punch in the saleroom when their art does appear at auction.

After a continuous 30-year period of trading, and a stockbook tally of around 10,000 pieces, Paris dealer in European ceramics Christophe Perlès has decided to take a break for a couple of years.