Auctioneers

Topping the sale of fine watches held at Bonhams’ Bond Street (19.5/10% buyer’s premium) rooms on April 15, was this 18th century gold pair cased verge watch. This had a signed and numbered movement (562) by Daniel Delander, who was free of the Clockmakers Company in 1699, and was contained in plain gold cases marked for London, 1716.

Pictured right is the highlight of Christie’s South Kensington’s (17.5/10% buyer’s premium) first football memorabilia sale of 2003 on March 26. A Cup Tie at Crystal Palace, Corinthians v. Manchester City, by Charles Ernest Cundall, in oil on panel 231/4in x 2ft 51/2in (60 x 75cm), signed C. Cundall lower right, set a new auction record for the artist when it was knocked down to London dealer Chris Beetles for £42,000, double the upper estimate.

HOLLOWAYS of Banbury are set to re-open their doors after a £100,000 refurbishment. The project, which started in January and was due for completion as the Antiques Trade Gazette went to press, focused on improving facilities for both viewings and the sales themselves.

Illustrated are a pair of ice pails, covers and liners from the Duke of Newcastle’s Derby porcelain service, c.1797, dispersed by Mellors and Kirk in Nottingham on April 10.

Among the miniatures and novelties at Dreweatt Neate’s 2 April sale, there was especial interest in a 37-lot private collection of card-cases amassed over 50 years by an Oxfordshire vendor.

Two early watercolour drawings of rabbits in snowy settings were offered as part of a Bonhams sale of April 1. That seen right shows one rabbit making a snowball while another leans on a fence, while in the illustration reproduced below right, the two rabbits are building a snowman.

THE status of Sir Kyffin Williams (b.1918) as Wales’s most famous living artist and one of the Principality’s principal artistic exports, was once again confirmed when this oil on canvas, right, Pentraeth, Anglesey took £10,000 at Christie’s South Kensington.

DOMINATED as the Doncaster sale at Wilkinsons on 23 February was by solid English oak, it also had its more esoteric moments in the high-price range. But in fact Sid Wilkinson was rather disappointed in the results on these two very different examples of carving.

Sensible estimates coupled with lots of good -quality material were the key to success at Ross’s (12.5% buyer’s premium) in Belfast on March 5. The 252-lot catalogue, from which 90 per cent of pictures were sold by value, taking a hammer total of £350,000, had something to suit all pockets and auctioneer Daniel Clarke felt it to be the sort of sale in which it would have been “impossible not to have found something you like”.

A JUNE 3 New York court hearing will rule whether Sotheby’s and Christie’s should pay $40m compensation to clients who bought and sold at their auctions outside the US during the 1990s.

For a Scottish antique, no provenance is more guaranteed to stir the blood than a connection, however tenuous, with a romantic outlaw. At Lyon & Turnbull’s sale on 26 March the link was Rob Roy McGregor, or at least the cattle rustler’s loyal kinsman and Glasgow magistrate Baillie Nicol Jarvie.

“AS extreme as always with focused bidding on the key lots,” was Victorian specialist Grant Ford’s frank description of the selective response to Sotheby’s (20/12% buyer’s premium) mid-season British Sale at Bond Street.

Auctioneer Neil Freeman said that he could not remember a high price for multiple cased fish during his 20 years’ experience in the market for antique piscatoria. This 5ft 10in by 4ft 11in (1.78 x 1.50m) cabinet was one of a pair containing 15 brown trout caught by the ninth Earl of Coventry during a fruitful fly-fishing holiday in Ireland in 1879.

FELLOWS & Sons, the Birmingham-based firm of auctioneers and valuers, have started major expansion plans by opening a new 15,000 sq ft auction house in Great King Street, Hockley.

Small is beautiful in the antiques world where miniature versions can command as much, sometimes more, than their full-size counterparts. That was certainly the case at Christie’s South Kensington last month when the small collection of miniature top hats and one bowler pictured above was pursued way beyond its £300-500 estimate to sell for £2400 (plus 17.5% per cent buyer’s premium) in the auctioneers’ March 12 costume and textiles sale.

Provenance, Provenance Provenance, this was the key to the runaway success of Sotheby’s 539-lot, £1.66m sale of items formerly owned by the famous engineer James Watt and his son James Watt Junior that had been carefully passed down through his family.

THE COVER of the catalogue issued by Cheffins for their Cambridge sale of March 19 made clever use of what I take to have been the coloured title of the 1794 French edition of Moses Harris L’Aurelien... that they sold for £4800. In rubbed red morocco gilt, this famous study of moths and butterflies was a large paper copy illustrated with 44 coloured plates, with text in French and English.

The death of Walter Moorcroft last year and the strong prices at Sotheby’s recent dispersal of the Wade collection have reinforced the popularity of this market, especially for the earlier Macintyre wares. A small collection at Bonham’s sale in Bury St Edmunds yielded the following results.

Minton did majolica just a bit better than anyone else – not just in their large monumental and sculptural pieces but also in the smaller and more mundane wares.

Peter Rindisbacher (1806-1834) was a Swiss-born artist who was the first Western artist to leave a significant visual record of colonial frontier life in Western Canada during the early 19th century.