Auctioneers

Two single-owner collections built up over lifetimes were well received at Canterbury Auction Galleries (20% buyer’s premium) on February 5-6.

Good times at the Oxford rooms of Mallams (20% buyer’s premium), when all bar one of 56 clocks got away almost all going comfortably above estimates.

Collectables untouched by Byronmania but selling well at the Harold Ward auction at Mellors & Kirk on February 6-7 included a 19th century ‘Grand Tour’ Italian alabaster model of the Piazza del Duomo, Pisa, and a gold-mounted malacca walking cane engraved to the pommel with the 1816-37 royal arms.

Three modestly valued works selling at regional sales below £1700, including a a Francis Cyril Rose self-portrait.

The sale of two great collections at auction – one in London, the other in New York – has highlighted the ebbs and flows of the market for early British pottery and furniture.

With the great country house contents sales of the past now largely a distant memory, single-owner collection sales have become the next-best thing.

The best Egyptian antiquities now engender much more than mere scholastic fervour but, for the most part, humbler objects remain eminently affordable.

Drawing interest from the US was a portrait of a fierce-looking Scottish laird by John Pettie (1839-93).

This 2ft (60cm) high Charles II needlework looking glass worked with figures and fantastical beasts emblematic of the seasons was estimated at $10,000-15,000 but sold at $80,000 (£61,500) in the Vogel collection auction at Sotheby's New York.

Three lots selling for multi-estimate sums at regional auctions in the UK including a Staffordshire slipware honey pot from c.1700 that drew demand at Woolley & Wallis of Salisbury.

Billed as a private London collection, the February 5 sale at Chiswick Auctions (25% buyer’s premium) betrayed a single owner with a good eye and wide-ranging enthusiasms.

Late 18th-century works for children combine juvenile diversion with moral instruction.

Our weekly selection from salerooms and dealerships.

Letters on the sails of the vessels seen on the title-page of Pedro de Syria’s Arte de la Verdadera Navegacion, published in Valencia in 1602, are a reminder that it was Columbus’ voyage in Spanish service just over a hundred years earlier that led to the ‘discovery’ of the Americas.

Richard P Feynman (1918-88), recognised as a genius in the field of mathematical physics and once described as ‘the most original mind of his generation’, was a star turn in a November 30 sale at Sotheby’s New York (25/20/12.9% buyer’s premium).

The models used in 17th century ceramics were typically derived from contemporary metalwork – and occasionally vice versa.

This set of English painted sycamore trenchers were a wedding gift to Roger Simpson and his bride Mary in 1625 from their cousin. Each plate has an inscription that includes either the bride’s or groom’s name alongside verses about love, sex and marriage.

The Vogels bought 17th and early 18th century silver from How of Edinburgh, SJ Phillips in London and Shrubsole in New York.

Out-sold by the 100-times estimate £22,000 Japanese vase featured on last week’s News pages (ATG No 2380), this gold and silver-gilt chalice, right, offered at Lytham St Annes auction house Gerrards (18% buyer’s premium) on February 7 was a more predictable five-figure star.

An original drawing by Henry Moore (1898-1986) – which the artist labelled as a lithograph – was among the top-sellers of European art at Skinner (23/20/12% buyer’s premium) in Boston.