Auctioneers

If the 1970s and 80s are remembered as a heyday of English porcelain collecting it is because of enthusiasts such as Dr Dennis G Rice.

A selection of post-war Italian pieces from the interiors of Casa Lucano, a large apartment in Milan designed by Gio Ponti in 1951, will be offered in a joint auction by Phillips and Italian auction house Cambi in London on March 21.

This pair of plates, one of them extensively damaged and riveted, proved much more popular than predicted in a sale held in Carmarthen by Peter Francis (20% buyer’s premium) last month.

Designer and decorator Serge Royaux 1924-2016, whose collection of paintings, drawings, furniture and decorative items is being sold by Christie’s Paris rooms on April 17, liked to entertain and to arrange the decor of his table settings to suit individual guests.

Though it sold just a touch under the lower estimate, a copy of the 1938 launch issue of Beano was the top lot in a Comic Book Auctions (19% buyer’s premium) timed auction of March 3 held on thesaleroom.com.

Rare examples of early English porcelain are still capable of remarkable sums.

Last November, Lempertz in Cologne held a successful sale of 19th century porcelain from the so-called Twinight Collection, amassed from 1994 by the New York businessman Richard Baron Cohen.

MADAM – I believe auction houses should make it clear to bidders that buyer’s premium has gone up and the fee does not include VAT.

The independent salerooms and those operating from the Drouot auction centre in Paris provide an important part of the city's Drawings Week.

A Californian sale of March 7 certainly offered great variety in age, content and price range. Promoted as A Biblio-Medley for All Tastes, it ran to well over 500 lots across its printed and supplementary, online catalogues – with at least one lot, a volume of the works of Arthur Hallam, sold for just $10.

On April 13 Skinner in Boston is holding one of its periodic sales of European furniture, silver and ceramics. Wedgwood is almost always a feature of these auctions and the latest is no exception.

Marie-Louise von Motesiczky (1906-96) was one of those artists who took little pleasure in selling their work. Indeed, Motesiczky’s obituary in The Independent described her “aristocratic disdain for the marketplace” and stated that “while she half welcomed exhibitions, they remained uncomfortable experiences… she never needed to sell her paintings, indeed she preferred to keep them around her.”