Auctioneers

Albert Moulton Foweraker’s (1873-1942) main interest as a watercolourist was the effect of blue moonlight on the landscape.

A vase by the great cameo glass artist George Woodall (1850-1925) was offered at auction for the first time at Bonhams’ sale of Fine Glass and British Ceramics last week.

This rare late-17th century 4in (9.5cm) devotional pendant displays the craft of 'scherenschnitte' (scissor cuts).

Differing echoes of the First World War attracted bidders at Dominic Winter’s (20% buyer’s premium) Cirencester auction in the run-up to Remembrance Sunday.

A more recent purchase for the Starrs was this late-18th century, 10¼in (26cm) high, black basalt two handled amphora, from the section of encaustic-decorated wares that were inspired by classical attic vases.

The leading contenders in the December 12 General Election are struggling to land any meaningful blows on each other, despite being more than happy to be photographed in boxing rings.

Group of works from the Cornish school underpins a positive Modern British offering

Featured here are three photographic carte de visite portraits of American interest from an historical manuscripts and documents sale held in Dallas by Heritage (25/20/12.5% buyer’s premium).

The most expensive piece in Sotheby’s Arnhold sale was a lot that made a dramatic increase on its $4000-6000 estimate. This 7½in (19.5cm) diameter blue and white saucer dish (below) was an early example of blue and white Meissen from c.1721-22 that had Japanese Palace inventory marks.

Original watercolours intended for pioneering, unpublished work are now highly valued

High selling rates at two American salerooms show how the market can absorb traditional ceramics in volume when estimates are realistic

Early-18th century porcelain scent bottles from Chelsea and the St James’s factory have been the object of increasing interest and value in recent years. Some high-flying examples emerged in the sales in New York.