Auctioneers

One of the prisoners to survive the horrors of the Changi camp in the Second World War was an art school dropout who later became a renowned illustrator.

Separated for over a century, a trio of small panels by Sir Edward John Poynter (1836-1919) have been reunited thanks to a dealer, an auction and two Australian Victorian art collectors.

Leading the Summer Fine Sale at Tennants in Leyburn was this pair of French ormolu-mounted, white marble and porphyry candelabra.

One of only two known copies of the first edition of the rules of football printed by the world’s first football club came to auction at Sotheby’s on July 21.

Bidders deem Yongzheng Guan ware to be of the period as estimate is demolished

Rare market appearance by a Sir Henry Raeburn work heads a special report on recent Scottish highlights

Growing collector interest in the work of musician-artist Herbert Whone (1925-2011) has meant his auction record price has been beaten on an almost annual basis in recent years.

A private Scottish collection was the source of the-top selling lot at McTear’s (24% buyer’s premium) in Glasgow on July 2.

Set of urban views takes £220,000 in a sale where ornithological works also impressed

Very much to current collecting taste is the 6½in (16.5cm) ‘peach bloom’ saucer dish shown here, offered by Batemans (20% buyer’s premium) on July 3.

Set of tools was designed specifically to take apart rather than create fine textiles

Mallams’ (25% buyer’s premium) latest Asian art sale was topped at £27,000 (estimate £3000-5000) by a Qing jade double gourd form snuff bottle.

William Billingsley (1758-1828), a key figure in the history of both English and Welsh porcelain, left the Derby factory in 1795 yearning to create the finest, whitest and most translucent porcelain.

Vibrant colours, good subject and intriguing composition helped to spark a bidding competition for a painting by George Leslie Hunter (1877-1931).

It was third time lucky for a painting by Scottish artist Alexander Mann (1853-1908) at Cheffins’ (24.5% buyer’s premium) fine art sale in Cambridge.

A high price for Scottish painter Ethel Walker (1861-1951) came at Sworders’ (25% buyer’s premium) sale of the Sally Hunter and Ian Posgate collection.