Bonhams

Pictured right is a Fokker cylinder from a WWI German triplane that made £3600 at Bonhams Oxford (17.5% buyer’s premium) sale of arms and militaria on April 13.

THE opening map and atlas section of the Bonhams Bath sale of April 26 included a copy in rebacked contemporary calf of the first and only published volume of the 1675 first edition of John Ogilby’s Britannia with its general map and 100 engraved strip road maps, at £7000.

THE Bonhams empire has embraced the notion of niche markets in pragmatic fashion, each of the various outposts having its own speciality – while the Scottish branch, which sells across the range of the market, breaks its sales into single specialist offerings. On March 18 Bonhams Edinburgh (17.5/10% buyer’s premium) offered 375 pieces of jewellery and silver with the following day’s sale comprising 198 items of Asian art, ceramics and glass.

RUSSIAN interest in their own heritage propelled the prices of two Imperial Russian subjects in the Albion collection, sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, to very high levels.

STUDIES of children tend to be one of the most popular subjects for miniature collectors, and there was plenty of choice in the Albion collection sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, enough indeed for the room to demonstrate some distinct preference.

BOOKS, manuscripts and photographs from The Old Rectory, at Banningham in Norfolk, provided a separately catalogued section of a three-day March 21-23 contents sale conducted by Bonhams and represented 70 years of collecting by the owner, picture restorer Bryan Hall, and his father, the Rev. William Hall, who was at one time Vicar of Barton Turf and Smallburgh.

SIX lots from Bonhams' (17.5/10% buyer's premium) March 22-24 sale at The Old Rectory, Banningham will be making their way back whence they came, National Trust curators having identified them (Bonhams had only spotted one) as having been bought by the Rev. Hall & Son at the 1951 contents sale of Oxburgh Hall in Norfolk. The house now belongs to the Trust which rescued it from demolition.

UNLIKE the market for oil paintings, where traditional images appear to be going through something of a mini-revival, print auctions show signs of being a sector where the critical mass of demand has shifted permanently towards Modern and Contemporary.

ONE notable item from the Bonhams & Butterfields sale of March 23 was a rare copy of Jacques Gautier d’Agoty’s colour printed Anatomie de la Tête of 1748 that made $19,000 (£10,220) – but not the top price lot, a Gershwin sketchbook that made $100,000, or indeed several other interesting items.

BONHAMS notched up a clutch of auction records and an impressive £1.28m total for the Albion Collection of portrait miniatures in Bond Street on April 22.

EVERYONE is aware of how rich a thin stratum of Russians have become in the post-glasnost years. The buying power of Russia’s new rich was amply in evidence on March 23 at Bonhams (19.5/10% buyer’s premium) Bond Street when the spectacular 3ft 1in x 5ft 8 3/4in (94cm x 1.74m) canvas, Nero’s Torches, by Henryk Siemiradzki (1843-1902) sold at £260,000 at an otherwise fairly predictable 19th Century Paintings sale.

As the most prolific of the 18th century English porcelain-producing factories, there is plenty of scope when it comes to collecting Worcester porcelain. There are few collectors, however, who can match the determination of Jeanne and Milton Zorensky.

YOU don’t see detailed architectural scenes that often on English porcelain. Such pieces are much more the preserve of Continental factories like Meissen, Sèvres or, most notably, Berlin. Their smooth, hard paste provides a better ground for the highly detailed, crisp painting these subjects demand. However, if topography is to be found on English porcelain, it is most likely be encountered on wares from the Derby factory which came nearest to emulating the Continental firms.

The well-worn cliché about everyone in the trade wanting to buy the same few pictures was certainly in evidence at the March 9 sale of British and Continental pictures at Bonhams (17.5/10% buyer’s premium) at Knightsbridge when this highly commercial oil-on-canvas view of the Piazzatta, Venice, indistinctly signed Viviani, came under the hammer with a highly tempting estimate of £2000-3000.

THE large number of increasingly wealthy mainland Chinese dealers and collectors participating in UK auctions are pushing up the prices in certain sectors of the market, including 19th century Chinese-taste ceramics. In the past this area has largely been overlooked in favour of imperial porcelain from earlier periods, but with the best 18th century mark and period routinely commanding six-figure sums, 19th century ceramics must look good value for money.

From April 1 Bonhams will increase the buyer’s premium in their Knightsbridge rooms to bring it in line with that charged at Bond Street.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.