Auctioneers

With their lively if somewhat comic subject matter, these so-called ‘Scotsmen’ famille rose plates, 18th century, always receive a warm welcome. But the comic depiction of this kilted couple of the 42nd Foot Regiment belies the fate that lay in store for them.

Concerns that turmoil in the world’s stock markets would spill over into London’s June round of Impressionist, Modern and Contemporary sales proved to be largely unfounded.

Christie’s King Street, may not have had their best ever sale but they did have the week’s most admired snuff bottle: a black and white jade inscribed example, signed Shixiang, 1740-1850.

Sotheby’s Olympia clinched the week’s loftiest price for an Asian work when a mighty £480,000 was placed by a Japanese telephone buyer probably bidding against the reserve for a complete set of Ando Hiroshige’s (1797-1858) 120 woodblock prints: The One Hundred Famous Views of Edo.

This quartet of Meissen white figures from Augustus the Strong’s Japanese Palace was a centrepiece of the June 13 evening sale from Longleat, contributing £2.9m to the overall total.

Following hot on the heals of a gold cased pocket watch which took £25,000 Sherborne auctioneers Charterhouse (15% buyer’s premium) found further horological success on May 31 with this early 19th century carriage clock, right.

One of the more curious sections of Sotheby’s sale at Billingshurst on 21-22 May was devoted to natural, rather than man-made statuary.

FELLOWS and Sons, the Birmingham auctioneers, have refunded the buyers of three watercolours sold as the work of Prince Charles last week after the pictures were revealed as forgeries.

MUSIC makers, from Jaques Frères musical boxes to Würlitzer juke boxes, make their sometimes surprising mark at auction but although this German orchestrion, right was one of the most unusual pieces to come up at any English rooms, Market Harborough auctioneers Gildings (12.5% buyer’s premium) recognised it as a major money maker in their May 28 sale.

IRISH auctioneers have long been adamant that Irish pictures sell better in Ireland and certainly the 71 per cent sold by lot achieved at James Adam (15% buyer’s premium) in Dublin on May 29 was only just shy of the 76 per cent by lot selling rate taken at Christie’s Irish sale in London on May 17.

Back on April 9 and 10 Bonhams (17.5/10% buyer’s premium) Bond Street rooms offered a double helping of portrait miniatures on consecutive days: a 165-lot single owner and a 133-lot mixed-vendor sale, both of which saw around three-quarters of their contents get away.

On the same day that Christie’s King Street rooms were offering pieces from the upper-crust end of the portrait miniatures and vertu market, their South Kensington (17/510% buyer’s premium) rooms had a more bread-and-butter selection of the same material.

A new auction record for any antiquity was set at Christie’s last week on June 13 when the 5ft 3in (1.6m) high ancient Roman marble statue of Venus, pictured right, sold for £7.2m.

Predating Shackleton’s famous experiments in polar printing by nearly 60 years, this is one of a group of six playbills printed in the Arctic in 1851-52, during the voyages of the Resolute and Intrepid in search of Sir John Franklin.

Jean Goulden (1878-1947) was another name restored to pre-eminence at the Tajan sale on 28 May. Goulden belonged to the Groupe Dunand–Goulden–Jouve–Schmied and himself underwrote the exhibitions the group staged annually at the Galerie Georges-Petit in Paris from 1921 to 1933.

THE Hôtel Drouot, traditional home of Parisian auctions, will not now be sold, it has been announced. Following the withdrawal of all four bids after none could surmount difficulties in negotiating a sale, the auctioneers who own the Drouot have raised €71m (approx £45m) and set up a management company, Drouot Holding, to run it – although not its finances – with seven of their number on the board.

William Blake did not manage to persuade his non-conformist followers to build Jerusalem in England’s green and pleasant land, but a Victorian carpenter came close with this davenport, right. Consigned to the May 22-23 sale held at Winterton’s (10% buyer’s premium) in Lichfield, the davenport belongs to an interesting group of 19th century olivewood furniture bearing the logo Jerusalem, written in English or Hebrew.

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

If maritime artefacts are your thing, set sail for Christie’s South Kensington. There’s a positive marina’s worth of material on offer on June 19 in the first of their two annual sales held in London devoted to all manner of marine artefacts and paintings.