Auctioneers

EARLIER this year, when Comic Book Postal Auctions sold a copy of Beano No.1 for a record £11,000, I briefly looked into the reasons why Dandy, which preceded Beano by several months, is not quite so avidly pursued and looked forward to seeing just how much the next Dandy No. 1 to come to auction might make.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

AN airheaded and insubstantial vice it might be, but plainly vanity has lasting appeal at auction, judging by the success of the coromandel veneered lady’s box, top right, and the gentleman’s hide toilet case, bottom right, offered at Amersham Auctions Rooms (15% buyer's premium) on June 6.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

LEADING the sale conducted by John Taylors (12% buyer’s premium) in Louth on June 1 was a marine barometer by Rodgerson & Co.

AS a follow-up to last week’s report on the Conan Doyle collection sold at King Street in May, I bring belated news of The Adventure of the Sussex Vampire.

BONHAMS are to set up separate client trust accounts for vendors to protect their money during the sale process. They are the first of the three major international auction houses to do so and the move effectively throws the gauntlet down to Sotheby’s and Christie’s to follow suit.

THIS technical marvel of the ancient world, pictured right, known as a Roman glass diatretum or cage cup, was cut out of a single blank of glass to form two layers. The solid inner cup is linked to its outer cage only by a series of delicate struts.

TWENTIETH century and Contemporary art underlined their status as the key growth areas for the major auction houses when London’s June round of Part I Impressionist, Modern and Contemporary sales netted £120.4m. Six months ago the equivalent sales took £94m, while back in June 2003 – when war was raging in Iraq – they could only muster a relatively modest £81m.

THERE was scarcely a facet of numismatic endeavour which was not represented in Baldwin’s (15% buyer’s premium) sale of May 4 and 5 (2018 lots).

IT was amongst the shaded woodland of the Thames Valley that Windsor chairs are thought to have originated. The forerunners of their kind may have been merely a humble form of seating, but, as two lots in forthcoming English furniture sales show, it wasn’t long before the form began to branch out.

PROFESSOR Edward T. Hall (1924-2001) was a born collector, amassing over a million cigarette cards as a schoolboy at Eton College and later building a celebrated collection of clocks and scientific instruments that was sold at Christie’s King Street last July.

AN autograph sale held by Swanns on April 29 included 11 lots from the George Armstrong Custer collection formed by the late Dr. Elizabeth Atwood, a vet and well-known Custer buff. Seen right is a copy print of a larger image by Timothy O’Sullivan, inscribed “Truly yours G.A. Custer”, which sold for $14,000 (£7955).

IN the last three years Bonhams have bagged several large quality Chinese consignments such as the Cunliffe collection of blue and white and the De Boulay collection sold last November, but this June there were no such dispersals to spark bidding battles between dealers or collectors in their 465-lot auction on June 8. Although few entries flew, there was demand for the best-quality Chinese-taste works and entries with mainland Chinese appeal.

THE point is often made that so-called apprentice pieces or miniatures will command more than their lifesize equivalents. This was certainly the case with the diminutive oak bureau pictured right, a meticulously made and finely-preserved 16 1/2in (42cm) wide 18th century replica of an otherwise standard Georgian form. Estimated at £3000-4000, it proved the winner on an otherwise difficult day at the Netherhampton Salerooms (15% buyer’s premium) on April 28 when it sold at £6000.

FOSSILS, whose decorative qualities in either antique or contemporary settings, have made them a regular feature of Sotheby’s garden sales at Billingshurst, opened the May event with 100 lots. Although dealers have become interested in the genre (there are, for example, now stands selling natural history at Olympia), private buyers took the top offerings including the best seller, a detail of which is shown right.

THE very earliest English porcelain has long held sway in the market, but one feature of Part I of the mammoth Zorensky Worcester collection sold by Bonhams in March was the high prices paid for some of the late 1760s and early 1770s underglaze blue ground tablewares.

HIGHLIGHT of the Collectors’ Sale conducted by Keys (10% buyer’s premium) in Aylsham was this silver-mounted ivory flute by Monzani.

VALUED at £1000-1500 in a June 29 sale at Bonhams is a bound manuscript entitled ‘Hieroglyphica Mexicana, or, an Introduction into the Origin, Nature and Meaning of the Ancient Paintings by the Semi-Civilized Nations of America, with Sketches of their Languages, History, Arts & Sciences’.