Auctioneers

The 1882 Royal Worcester porcelain Patience teapot has become a satirical emblem of the Aesthetic movement.

This pair of mid-18th century Dresden sauceboats were once part of the huge holdings of silver used at the court of Frederick Augustus II (1733-63).

Charles Robert Ashbee’s pseudo medieval wirework silver and glass jugs and bottles rank among the Guild of Handicraft’s finest work.

Although Malta supported an estimated 600 makers from 1680-1820, relatively little silver from the period survived on the island.

The term pomander derives from the French pomme d’ambre, meaning ‘apple of amber’, a reference to the aromatic substances – ambergris, musk, civet, and spices – once formed into small balls and carried as protection against disease.

Richard Joyce, a member of one of the Tribes of Galway (the 14 merchant families who dominated the political, commercial and social life of the city), led an extraordinary life.

Although termed strawberry dishes, the classic early Georgian plain serving dish with raised fluted sides and a scalloped rim, were used for a variety of purposes.

While nowhere near the level of the First Folio of Shakespeare’s work, later versions are still big sellers

Four lots once belonging to British army officer, author and artist – and fascist sympathiser – Lieutenant-Colonel Graham Seton Hutchison (1890-1946) went under the hammer at Special Auction Services (20% buyer’s premium) in Newbury.

Sustained scrap silver prices of more than £30 an ounce have sent large quantities of middle-of-the-road Georgian and Victorian domestic silver to the melting pot. Today, to sell well above the bullion price, it helps if silver comes with a strong narrative. ATG reports on a few great storytellers.

Scottish contemporary silver by Graham Leishman Stewart (1955-2020), squirreled away for decades in private collections, is now slowly beginning to reach the secondary market.

Shakespearean themed watercolour takes hammer price of £75,000 as confirmation of the artist’s status