Auctioneers

The talented Sèvres factory decorator Desire Leroy (1840-1908) came to the United Kingdom in 1878 to take up an appointment at Minton in Staffordshire. However, he is perhaps best known for his work at the Royal Crown Derby where he worked from 1890, aged 50, until his death in 1908.

A rare work by William Lambarde, the antiquarian, writer on legal subjects and author of the first county history, A Perambulation of Kent of 1576, was another highlight from the library of the late Eric Stanley, professor of Anglo-Saxon at Oxford (see reports in previous ATGs).

While the binding, with Charles Ricketts’ familiar gilt design on the front cover, is not in the best of conditions, an inscription on the half-title of this example of one of the 250 large paper copies of Oscar Wilde’s 'The Picture of Dorian Gray' published by Ward Lock in 1891 ensured that it set an auction record.

An archive of material relating to Porthia Prints, a short-lived company that harnessed the talents of a host of St Ives artists, proved a sell-out success at Lyon & Turnbull’s Modern Made auction in Fitzrovia, London. The 24-lot section of original designs and textiles came for sale ‘from an important St Ives artist’s estate’.

Most regionally made Georgian oak longcase clocks can now be bought for under £500 but this example is by a highly regarded and collectable maker: John Wolley or Woolley (c.1738-95) of Codnor, Derbyshire.

Although the catalogue noted the rarity of a Queen Anne silver tazza and tankard having been together for more than 300 years, they were offered separately at Lawrences (25% buyer’s premium) of Crewkerne.

Instruction from author Fleming was thankfully not followed and first issue survives.

Thirty pieces of antiquarian jewellery discovered next to a joint of meat in an old freezer were sold for £68,000 (plus 24% buyer's premum) at Kidson-Trigg near Highworth, Swindon.

Dorotheum (28/25/22/18% buyer’s premium) in Vienna could boast two seven-figure prices in as many days, including the highest Austrian auction price of this year so far.

One of the biggest surprises at Nagel’s (33% buyer’s premium) sale in Stuttgart on October 16-17 came right at the end of the auction.

Appetite remains for biannual specialist auction which is still a stalwart of the calendar.

Robert Hillingford (1826-1904) was a Victorian painter of historical scenes, whose subjects included the Duke of Wellington and Napoleon, as well as scenes taken from Shakespearean plays.

Bringing the highest price yet at one of Richard Edmonds’ (20% buyer’s premium) specialist Petroliana and Automobilia sales in Chippenham was a rare petrol pump globe.

“There is no such thing as modern art, there is only art and it is perpetual.” The author of these lines was, perhaps surprisingly, the highly modern Austrian painter Egon Schiele and are part of an artistic manifesto written on July 17, 1911.

Duke’s latest Asian art sale had been headlined by items from a local resident and well-known auctioneer, academic and collector, Anthony du Boulay. The 249 lots from early classic wares to Cantonese enamels generated plenty of saleroom energy and a total of around £800,000.

The practice of placing a metal mark on a building to indicate insurance against a fire started in earnest after the Great Fire of London (1666). Each insurance company had its own fire service and distinctive logo.

In the resilient Beswick market, collectors paid high prices for some rarities – even modern prototypes – at autumn sales.

For more than 25 years a regular contributor to BBC’s Antiques Roadshow, John Benjamin recalls his early days in the trade – while reviewing a recent jewellery auction. Additional reporting by Roland Arkell.