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Latest news from Antiques Trade Gazette, the leading specialist publication for the art and antiques market


Survey boosts furniture’s standing

10 October 2001

A NEW survey has just been published showing how much better fine period furniture has proved as an investment compared to the stock market and property over the past 30 years.

Now New York dealers put on their own shows

08 October 2001

MORE than 20 of New York’s top dealers who had signed up for the cancelled International Fine Art and Antique Dealers Show are holding special selling exhibitions in their shops and galleries from October 18 to 23.

Märklin dominates train sales with top three prices

08 October 2001

FRANCE: The 2nd part of the J. Lemarchand Collection of trains and toys came under the hammer in Chartres (Lelièvre-Maiche-Paris) in a 680-lot sale on September 15 & 16.

Newcastle and Clapton Orient each have their fans…

08 October 2001

Stanley Matthews’ 1953 FA Cup winner’s medal, sold for £20,000 to TV presenter and Stoke fan Nick Hancock, was the lot on which national media publicity focussed, but the Football Memorabilia sale held by Sotheby’s on September 21 – one of the first sales at the new Olympia salerooms – also contained some 150 lots of programmes, match cards, magazines and related ephemera.

Chagall, Disney and Heaney – a mixed bag!

08 October 2001

AS EVER, this Norfolk sale on 14 September at Keys, Aylsham provided an eclectic mix of stock, from the seriously antiquarian to the frivolous, from a 16th century summation and translation of Anglo-Saxon laws to a famous tale of porcine practicality.

Private bids fill the new nervous trade gap

05 October 2001

THE cataclysmic events of September 11 in New York have thrown into spasm a UK art market that was already showing worrying signs of slowdown both in terms of supply and demand.

Has Rosoman a commercial lesson for buyers of contemporary British art?

04 October 2001

Leonard Rosoman (b.1913) is an artist whose technical skill and individuality of style has never quite captured the imagination of the art market in the way that more widely recognised contemporaries like Edward Burra have.