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Glittering personalities from the world of arts, they were the toast of Paris in the late 1960s. Capote and Sagan, Karajan and Nureyev, Callas and Saint-Laurent – their presence at soirées was coveted by the self-regarding hostesses across town, but they all paid homage to the ultimate hostess trolley when they arrived for dinner at 10 rue de Dragon.

The firm of Wright & Mansfield (1860-86) are often cited as the instigators of the Georgian Revival and, unlike many of their contemporaries who produced Victorian pastiches of earlier styles, are renowned for their craftsmanship, using high quality materials for accurate recreations of the Adam and Sheraton style – often difficult to distinguish from the 18th century originals.

A Birmingham man who gave up a career as a local government officer to devote himself to clockmaking has won a £4000 scholarship to study antique clock restoration.

Listings on eBay can sometimes be prone to hyperbole but when a seller from Ontario, Canada described this remarkable object as “definitely one of the finest sticking tommy candlesticks ever made” few enthusiasts of antique mining collectables could have argued.

In the same week that their South Kensington rooms offered the first instalments from Margaret Cadman’s mammoth collection Christie’s King Street (19.5/10% buyer’s premium) rooms were busy selling the second part of the Dr KH Wadsack Collection of Berlin porcelain.

This full dress uniform of an officer from the Duke of Wellington’s West Riding regiment, right, was an important diversion from the main proceedings at Duke’s auction in Dorchester. Under normal circumstances this would have been a standard lot of textile militaria for the trade, but this uniform actually belonged to the sixth Duke of Wellington and had passed by descent to the vendor.

Versatility and a clear career path lead the way: The future of the art and antiques business is centred on small teams with an ability to perform a wide range of tasks beyond their own area of expertise.