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Countless numbers of sardine dishes were turned out by the 100 or so potteries who made majolica wares in the final third of the 19th century but for some collectors the mission is to find an example of each.

A compromise deal has been agreed between rival Paris fair organisers the Syndicat National des Antiquaires – the national dealers’ association, which stages the Biennale and the Salon du Collectioneur at the Carrousel du Louvre – and SOC (Société d’Organisation Culturelle), the commercial company (owned by Paris dealers Patrick Perrin and Stéphane Custot) which stages the twice-yearly Pavillon des Antiquaires et des Beaux Arts in the adjacent Tuileries Gardens.

THERE are a plethora of fairs in March but, as usual, the one that will dominate will be TEFAF Maastricht in the Dutch city’s MECC (exhibition centre) from March 5 to 14, with the famous vernissage on the evening of March 4. Here is a taster of the kind of finds you can expect at the world’s number one art and antiques fair.

In commercial terms ecclesiastical silver is not the strongest area of the market but there is no doubting its social and historical interest, especially when it has retained its links to the church for which it was made.

The title page of Hugh Maccaghwell’s On the Sacrament of Penance which, printed at Louvain in 1618, is recognised as “the first original work by a living author in Irish”. The few works printed in Irish that preceded it were the Bible, liturgical texts or translations of the works of others, but this was one of five works produced in the years 1614-18 at a press operated by the Irish Franciscans at St. Anthony’s in Louvain – the first press to print and promote Irish writing in the vernacular.

THIS Oxfordshire outing at Holloways on 27 January not only boasted a bountiful supply of silver-mounted coconuts but included a great deal of other decorative entries and quality furniture consigned by the same local private vendor. Among these pieces was the sale highlight – a pair of Victorian ‘golden oak’ inverted breakfront library bookcases, well carved with lion’s masks and cartouche-moulded cornices.

ALTHOUGH it is now in its 11th year, the Spring Fine Art and Antiques Fair, which will be held at Olympia in West London from March 2 to 7, is the most recent of the three annual Olympias. To many eyes it is the most stylish and best looking of the three – to others it is the most problematical. It is certainly different.