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IN The Sunday Telegraph of July 25, Sarah Jane Checkland offered that old chestnut “what paintings sell”. Much of the analysis was predictable – “paintings of women and children outstrip those of men and the younger and more attractive the better” and “prospects are grim for dead animals”. However, a few results of her survey were more intriguing.

AT the Royal Academy Summer Exhibition this year, the end wall of Gallery II was completely taken up with a work which John Hoyland, Professor of Painting at the Academy Schools, described as “Terry Frost’s magnum opus”.

ART case pianos, as their name implies, are instruments with very decorative cases painted or elaborately inlaid, and usually one-off commissions.

IN 1963, following market research to discover the most popular girl’s name at the time, Lines Bros. (Pedigree) of Merton, London, launched England’s answer to Mattel’s Barbie and Ideal Toy Corporation’s Tammy. Sindy, with her rosebud mouth, large blue eyes and bouncy curls, was The doll you'll love to dress.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

ONE of the most exciting aspects of the ever-growing interest in 20th century British art is the opportunity it offers to rediscover significant, but neglected, talent of the period. For those with a keen eye and prepared to look beyond the mere ‘big’ names, there really are some impressive things out in the market place. Such works, of course, also have the added bonus, more often than not, of falling into the category of affordability.

HELPED by contacts with the Traquair family, Shapes have a great track record selling the work of Phoebe Anna Traquair (1852-1936), the Dublin-born mixed-media artist who became a leading member of Scotland’s Arts and Crafts movement.