News

IT IS ten years since well-known dealer Richard Gardner moved into Petworth, West Sussex. Today, even in a town known internationally as one of the most notable concentrations of antiques trading in the South of England, Mr Gardner can certainly be said to have made his mark.

TEMPTING though it is to say that word from the Specialised Postcard Auctions (10% buyer's premium) was lost in the post, this midsummer auction on July 5 has slipped through the Antiques Trade Gazette net until now. But the £23,000 sale should be recorded as one of the series which have, for years, been catering for this specialist market.

THERE are few things so distinctly American in the book auction world as the collections of ‘Oziana’ that arrive in the salerooms with remarkable regularity.

PART of a 12-vol. Winchester edition (1911-12) of the works of Jane Austen, bound in half red calf gilt by Sotherans, that made £3400 as part of the July 21 Lyon & Turnbull sale at Jordanstone.

THE National Art Collections Fund (Art Fund) has criticised the state of public collecting in the UK on the same day as announcing a £500,000 offer to help keep the Macclesfield Psalter in the UK.

WHAT should the art world do when the going gets tough? Many in the trade sit back and whine. Others go into battle. Those who do get up from their derrières and practise a little innovation and lots of enthusiasm often do well in the most difficult of periods.

IN Antiques Trade Gazette No 1276, February 22, 1997, I reviewed a fascinating but somewhat disconcerting exhibition at Archeus Fine Art in London of drawings by Eric Hebborn (1934-1996), who has been described as the maker of the finest art fakes of the 20th century. The show offered rather convincing ‘Old Master’ drawings after the likes of Raphael, Rembrandt and Watteau, which were selling at prices up to £2500.