Rembrandt, Hebborn and the case of the missing drawing

IN Antiques Trade Gazette No 1276, February 22, 1997, I reviewed a fascinating but somewhat disconcerting exhibition at Archeus Fine Art in London of drawings by Eric Hebborn (1934-1996), who has been described as the maker of the finest art fakes of the 20th century. The show offered rather convincing ‘Old Master’ drawings after the likes of Raphael, Rembrandt and Watteau, which were selling at prices up to £2500.