Fine Art

FRANCE: FRANCIS FRITH (1822-98) was the focus of attention of Beaussant-Lefèvre’s sale of 19th century photographs at Drouot on January 25, as expert Pierre-Marc Richard claimed a world record auction price of €23,000 (£14,400), almost double-estimate, for a Francis Frith photograph: an 1858 view of The Pyramids of El-Geezeh from the south-west (pictured).

Exhibitions outside London: Specialist print dealer Elizabeth Harvey-Lee (1 West Cottage, Middle Aston Road, North Aston, Oxon OX25 5QB. Tel: 01869 34 7164) has built up an impressive reputation for producing informative, well-illustrated stock catalogues.

MAYFAIR art dealers Agnew’s are hotly contesting claims for a £1.5m refund over an Old Master which is at the centre of a dispute over who painted it.

The Maritime sale held by Bonhams (15/10% buyer’s premium) in their New Bond Street rooms on January 16 was a sizeable 400-lot affair divided roughly 50/50 into paintings and maritime artefacts – the latter featuring anything from ship models to scrimshaw, divers’ helmets to sextants.

BELGIUM (£1=BFr63): Antwerp's Campo Vlaamse Kaai enjoyed a pleasant pre-Christmas surprise at their two-day sale on December 11/12 when A Hostage, a large work by Edmund Blair Leighton (1853-1922) measuring 3ft 8in by 4ft 10in (1.12 x 1.48m), featuring a girl leaning on a wall, gazing wistfully out to sea, raced to BFr3.1m (£49,200) against an inexplicably low estimate of BFr8000-12,000.

GERMANY: Joseph Beuys’ Sonnenkreuz (1947-48), a patinated bronze sculpture 15 x 81/4in (37 x 21cm), evoking a crucifix against a radiating sun, sold comfortably over estimate for DM200,000 (£64,000) at the Lempertz Contemporary Art sale in Cologne on December 5.

“Fascism, charged with Idealistic values, is applauded by all of those who are legitimately able to call themselves Italian poets, novelists and painters. We are sure that in Mussolini we have the Man who will know how to value correctly the force of our Art dominating the world.”

SOTHEBY’S have given the autograph documentation and picture, right, a hefty estimate of €500,000-750,000 for a very good reason: the picture is now thought to be the earliest image made by photographic means.

PARIS: A prestige series of auctions held by Tajan at the Hôtel George V just before Christmas (December 17-19) yielded just under £7m hammer.

LONDON is especially strong on niche events and specialist fairs do not come much more quintessentially English than The Watercolours and Drawings Fair which will be held for the fourth time at the Park Lane Hotel, Piccadilly, London W1 from January 31 to February 3.

FOR a long time now, Kent antique prints dealer Ingrid Nilson, who is a member of and director of LAPADA, has been a well-known figure in the antiques trade, but in recent years her highly decorative stock has been sought after by interior designers.

The Tower of Babel was a popular subject with Flemish artists, and with the Louvain-born Lucas van Valkenborch (c.1530-97) in particular. He painted at least four versions, to be found in Munich, Mainz, the Louvre, and in the Beaussant-Lefèvre saleroom at Drouot on December 14, when an oil on panel Tower dated 1587, 28 x 35in (71 x 90cm), spiralled six times over estimate to Fr8.2m (£781,000), establishing an auction record for the artist.

PARIS: American buyers were to the forefront at the ArtCurial-Briest sales on December 17 and 18, held in the stylish Hôtel Dassault halfway down the Champs-Elysées, and preceded by an elegantly hung four-day viewing.

PARIS: An ensemble of nine photographs by Gustave Le Gray, all albumen paper prints from collodion or paper negatives from the collection of chemist Paul-Emile Lecoq de Boisbaudran (who discovered the metal gallium), surfaced at Millon & Associés on December 3.

BOUND to be a highlight at TEFAF Maastricht in March is Rembrandt’s painting of the goddess Minerva which will be offered by New York dealer Otto Naumann for $40m.

The bird with the splendid hairdo pictured right is one of five original watercolours, possibly by Madam Knip herself, found in a special copy of Temminck & Knip’s Histoire naturelle des Pigeons of 1801-11 that sold for £30,000 to a private buyer at Christie’s November 28 sale.

Rembrandt the Printmaker by Erik Hinterding, Ger Luijten and Martin Royalton, published by the British Museum Press in association with the Rijksmuseum ISBN 01714126268 £29.99 pb

THE Glasgow Boys school of painters will be the subject of the inaugural exhibition at the Fleming Collection at 13 Berkeley Street, London W1 at the end of this month.

Modern British in date, but blissfully unaffected by Fauvism, Cubism, Vorticism and just about every other ‘ism’ that was changing the face of Western art, Edgar Hunt (1876-1953) enjoys perennial popularity among picture buyers with more traditional tastes.

She lived by her pen, but died by her brush. If Charlotte Brontë had been remotely skilled as a portrait artist she might not have turned to literary characterisations.