Etching

Karl & Faber’s (27% buyer’s premium) latest auction of Old Master prints in Munich was its most successful sale of this type for many decades, achieving several new German records.

Artist’s masterpiece sold earlier this year is followed up by plates, prints and paintings from same source

An artist in high demand in his day, Dürer prints still fascinate collectors. ATG surveys the market for works by great Old Master draughtsman

The etching 'A View in America in 1778' is a satire on the progress of the American Revolution.

The fascinating article on the exhibition of Kasmin’s photographs suggests that he arguably invented the ‘white cube’ concept (Dealers’ Diary, ATG No 2651).

When James Abbott McNeill Whistler (1834-1903) arrived in Paris in 1855 determined to pursue a career as an artist, printmaking was experiencing a revival.

Group of works by a maker who used mostly traditional techniques creates a secondary market test

Rembrandt prints were a prominent feature of the London Old Master sales in December.

Based on his own 50-year collecting odyssey, Iain MacPhail has privately published a hardback catalogue raisonné of the etchings created by the prolific Victorian and early 20th century book illustrators Charles Maurice and Edward Julius Detmold. Here he talks to ATG about his collecting passion.

'Femme a la Mandoline' was among the first paintings in what would become Tamara de Lempicka’s (1898-1980) full signature Art Deco style.

An early printed work by David Hockney (b. 1937) comes for sale at Ahlers & Ogletree in Atlanta, Georgia, on October 14.

Millon’s March 6 sale in Paris is its third to be given over entirely to the graphic (engraved) work of Pierre Soulages (1919-2022).

One of the masterpieces of printmaking in Prague during the reign of the Emperor Rudolf II (1576- 1612), and a highlight of the important exhibition 'Printmaking in Prague' held in the British Museum this summer, is the famous etching of the interior of the Vladislav Hall of Prague Castle by Aegidius Sadeler II.

'Catspaws off the Land and Parting with the Tug' are a pair of drypoint etchings by Staithes Group artist Frank Henry Mason (1875-1965), signed in pencil with Fine Art Trade Guild blindstamps, Nos 7 and 8.