Oil, Acrylic paintings & Mixed Media

HOLLAND: IN honour of the Netherlands’ long tradition of landscapes and town scenes Christie’s Amsterdam (buyer’s premium 20.825 per cent) had a topographical theme to its pictures sale on January 22.

THE relative strength of Old Master paintings in comparison to other sectors of the market has been noted at a number of recent auctions, but this new-found strength, it seems, is not just restricted to top-end sales in London and New York.

A large desert Caravane by Victor Huguet (c.1895), 4ft 4in x 6ft 8in (1.31 x 2.02m) and inspired by Fromentin, led the Delorme-Fraysse picture sale on February 12 with €82,000 (£51,200).

Sotheby’s July 11 Old Master sale will include the re-discovered Peter Paul Rubens (1577-1640) oil on panel The Massacre of the Innocents, pictured right.

Post-War sales at Christie’s (17.5/10% buyer’s premium) tend to be more predictable, less mercurial events than their cool contemporary outings and the established reputations of the artists invariably guarantee a procession of solid six-figure results.

Rise of Winifred Nicholson goes on apace with amazing bid of £100,000 for portrait of Ben: Over the last two or three years Winifred Nicholson (1893-1981), the first wife of Ben Nicholson, has become an increasingly significant figure in the Modern British market, culminating in the record £52,000 paid last July at Phillips for one of her trademark window still lives.

Anyone looking at this small 19th century still life painting, right, for the first time could be forgiven for rubbing their eyes with disbelief to hear that East Sussex auctioneers Gorringe’s (15% buyer’s premium) had allocated it an estimate of £20,000-30,000 at their January 29-31 sale in Lewes.

BELGIUM (£1=BFr63): Antwerp's Campo Vlaamse Kaai enjoyed a pleasant pre-Christmas surprise at their two-day sale on December 11/12 when A Hostage, a large work by Edmund Blair Leighton (1853-1922) measuring 3ft 8in by 4ft 10in (1.12 x 1.48m), featuring a girl leaning on a wall, gazing wistfully out to sea, raced to BFr3.1m (£49,200) against an inexplicably low estimate of BFr8000-12,000.

“Fascism, charged with Idealistic values, is applauded by all of those who are legitimately able to call themselves Italian poets, novelists and painters. We are sure that in Mussolini we have the Man who will know how to value correctly the force of our Art dominating the world.”

The Tower of Babel was a popular subject with Flemish artists, and with the Louvain-born Lucas van Valkenborch (c.1530-97) in particular. He painted at least four versions, to be found in Munich, Mainz, the Louvre, and in the Beaussant-Lefèvre saleroom at Drouot on December 14, when an oil on panel Tower dated 1587, 28 x 35in (71 x 90cm), spiralled six times over estimate to Fr8.2m (£781,000), establishing an auction record for the artist.

BOUND to be a highlight at TEFAF Maastricht in March is Rembrandt’s painting of the goddess Minerva which will be offered by New York dealer Otto Naumann for $40m.

COPENHAGEN: Combining the current commercial attractions of Denmark’s so-called Golden Age painters of the early 19th century with plein air oil sketches by artists made in Italy during the same period, an intriguing group of small canvases by three, albeit relatively minor Danish Golden Age artists sketching in Italy proved to be a predictably desirable target on the second day of Bruun Rasmussen’s (25% buyer’s premium) September 3-5 sale in Copenhagen.

Members of the trade still looking for a suitable holiday destination could do worse than consider Pirate’s Cove on Cocos Island, the subject of this Montague Dawson oil on canvas, 3ft 4in by 4ft 2in, which appeared at Christie’s Maritime sale in New York on July 31.

UK: THIS Georgian chinoiserie framed mirror painting of c.1760 took the top slot at Sotheby’s June 13 English furniture sale when it sold to an American private buyer for £280,000.

EIRE: WITH the traditional Irish sales due in London next month, many an eye was on the Dublin sale held by James Adams (15 per cent buyer’s premium) on March 28 to see how pictures were selling in their native land.

Rightly described as ‘superbe’ this 28mm diameter portrait of Augustus made a slightly over-estimate E290 (£180).

NEW YORK: There was a flurry of activity at the Phillips New York (buyer’s premium 15/10%) auction of American Art last week as Benjamin West’s renowned painting of The Death of General Wolfe came up for sale.

LONDON: Highlight of the German and Austrian series from the Marvin & Janet Fishman Collection was Egon Schiele’s oil on canvas Portrait of the Art Dealer Guido Arnot, 4ft 7in x 3ft 7in (1.40 x 1.09m), signed and dated 1918 which sold at Sotheby’s in London for £6.5m (plus premium), more than twice its top estimate.

UK: PAUL Henry’s A Village in Connemara which sold for £58,000 at Edgar Horns in Eastbourne on July 12. The 16 x 24in (41 x 61cm) oil on canvas is fully signed and still bears an original paper label on the stretcher with title and artist, though the frame is a replacement.

THE second week of London’s prestige midsummer sales saw the Modern given way to the traditional with a flurry of exceptional prices for Old Master paintings and drawings and Renaissance works of art.