Fine Art

INCREASINGLY, London is showing its teeth as one of the world’s nuclei for international Contemporary art. And, with last week’s opening of two substantial commercial art galleries, its status is going only one way – upwards.

WITH London’s Master Drawings week looming in July, specialist dealers were predictably out in force to contest this long-lost François Boucher (1703-1770) drawing which re-emerged at the Oxford rooms of Mallams (15% buyer’s premium) on May 7.

ALTHOUGH many of the items on offer by the nine dealers taking part in London Sculpture Week (June 10-18) are antique, with some dating back more than 5000 years, there will be a few contemporary pieces.

INSURERS Axa Art have promised to settle claims linked to art lost in last week’s fire at Momart’s London warehouse as soon as possible.

NOW in its sixth year artLONDON has proved a popular and worthy addition to the roster of June fairs. Indeed, in this relatively short time it has become as much a part of the London summer scene as its much more venerable and mainstream stablemates, such as Grosvenor House and Olympia.

ON The Wall is the name of a new fair aimed at the contemporary art market which will be launched from September 29 to October 3 at the Grand Hall, Olympia.

Right: among the highlights of the three-day on-the-premises house sale conducted by Woolley & Wallis at Ashley Manor, near Stockbridge, Hampshire from May 18-20 was this 11 1/2in (29cm) high bronze cast of a winsome puppy by Dame Elizabeth Frink (1930-1993).

RECENTLY renamed and relocated, Bloomsbury Auctions have launched an Impressionist, Modern and Contemporary art department.

THE first quarter of 2004 was good news for Sotheby’s, with several major stepping stones to putting their bottom line back on the straight and narrow.

THE Seven Works of Mercy by Pieter Brueghel the Younger, painted on a panel measuring 17 x 22in (42 x 56cm), raised €450,000 (£300,000) at the sale held by Van Ham (22% buyer’s premium) in Cologne on April 3. It had been estimated at €260,000.

A travel sale held by Christie’s South Kensington on April 29 was a mix of books, prints and pictures and seen here are two items from a section of that sale devoted to the Alpine regions.

TO mount six major selling exhibitions in the space of eight years of paintings by iconic British 20th century artist L.S. Lowry (1887-1976) is, by any standards, impressive. Nonetheless, this is exactly what New Bond Street dealer Richard Green has done. His latest Lowry showcase opens this Wednesday, May 19.

COLLECTORS who love the art of L.S. Lowry but can only afford Helen Bradley (1900-1979) were presented with the picture of their dreams when this 11 by 14in (27 x 36cm) oil, right, of the momentous and inspirational meeting between Lowry and Bradley outside the 1955 Saddleworth Art Group’s Exhibition came up for sale at the Chichester rooms of Henry Adams (15% buyer’s premium) on April 28.

THIS Sunday May 16, the second London Photograph Fair of the year will take place in Bloomsbury at the Bonnington Hotel in Southampton Row.

RUSSIAN interest in their own heritage propelled the prices of two Imperial Russian subjects in the Albion collection, sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, to very high levels.

STUDIES of children tend to be one of the most popular subjects for miniature collectors, and there was plenty of choice in the Albion collection sold at Bonhams' (19.5/10% buyer's premium) New Bond Street rooms on April 22, enough indeed for the room to demonstrate some distinct preference.

ALEXANDER Walker, who died last year at the age of 73, was the film critic of London’s Evening Standard for more than 40 years and among the well-known names in the film world. Not so well known is that he was a noted collector of modern art.

AUCTION history was duly made at Sotheby’s New York on the evening of Wednesday, May 5 when Picasso’s iconic 1905 Rose Period canvas, Garçon à la Pipe, was knocked down for a hammer price of $93m (£54.7m), making it the most expensive work of art ever sold at auction.

HAVE we just had a glimpse of the Jack Vettriano market in 100 years’ time? Any connection between the Walter Dendy Sadler (1854-1923) painting of three top-hatted Regency gentlemen being served a bottle of port in an inn garden which made £50,000 at the Cambridge rooms of Cheffins (15% buyer’s premium) on April 22, and the £660,000 Singing Butler might seem tenuous in the extreme.

WHEN a small, unattributed Old Master painting sells at £30,000 in the provinces the S-word usually gets plenty of use.