Fine Art

MUSSOLINI’s son-in-law and foreign minister, Count Galeazzo Ciano, would have done well to heed the imagery of this black glazed terracotta head when another version of it came into his possession.

The current boom in the market for Chinese Contemporary paintings could hardly be better illustrated than by the way sale statistics have been leapfrogging around the globe in the last couple of weeks.

Works by Eric Ravilious (1903-1942) are only very occasionally seen on the market. So when this evocative watercolour Salt Marsh was offered at Sworders (15% buyer’s premium) sale in Stansted Mountfitchet on April 11 it attracted at least seven interested parties.

The enormous potential of the market for contemporary Chinese art was dramatically underlined by almost frenzied scenes at Sotheby’s (20/12% buyer’s premium) eagerly awaited March 31 Contemporary Art Asia sale in New York.

In last week’s ATG we revealed how a sketchily catalogued box of over 130 19th century photographs estimated at £80-120 in a Cumbrian auction house proved to be a cache of images made by the early daguerreotype process and ended up selling to Ken Jacobson for £75,000.

"Lot 132. A 19th century mahogany box containing a quantity of 19th century photographs: 15 small images of stonework on metal, 50 images of buildings on metal, 70 small images of buildings on metal and 14 of buildings on card. Box poor condition, many images poor condition."

Bloomsbury Auctions are opening a Contemporary art department to compete for a share of London's burgeoning market.

The UK’s leading art charity has commissioned its first-ever work by a contemporary artist as part of a campaign to boost funding for the arts.

Stephen and Iona Joseph began collecting and dealing in primitive animal portraits more than 30 years ago and as Iona Antiques were well-known exhibitors at top antiques fairs both here, where they were regulars at Grosvenor House, and in the United States. However, since Stephen Joseph died last year his wife has decided to stop dealing and is selling her collection at Bonhams on March 21.

A cache of William Blake watercolours, unearthed in a Glasgow bookshop five years ago, are to be sold in New York after attempts to keep them together in the United Kingdom have failed.

This medieval bronze jug was the talking point of Sotheby’s sale of the contents of Easton Neston last year when it was bought by London dealer Daniel Katz for a premium-inclusive £568,000 against expectations of £60,00-80,000. The rare jug is cast with a slew of insignia including the Royal arms as used between 1340 and 1405, a maker’s mark and the inscription To My Lord Wenlok.

The highlight of a strong £500,000 sale conducted by Sworders of Stansted Mountfitchet on February 14 was this Fabergé silver-gilt and cloisonné enamel box. It had been given to the vendor's husband by his grandfather who had lived and worked in St Petersburg until the time of the Revolution and had met Carl Fabergé in person.

New buyers help records tumble as London reinforces its importance

THE Art Loss Register has announced the recovery of four valuable paintings stolen 27 years ago in a £30m theft.

The Victoria & Albert Museum’s sculpture collection will be redisplayed this spring in the new Dorothy and Michael Hintze Galleries.

Establishing a new landmark for a picture lot sold at auction outside London, two portraits by Jean Baptiste Greuze (1725-1805) took £900,000 at Dreweatt Neate’s Donnington Priory salerooms last week.

On a cold January 26 night in Edinburgh, a packed saleroom at Lyon & Turnbull witnessed a defining moment in the Scottish art market.

Christie’s will test the potentially lucrative waters of the Middle Eastern market in situ by holding an inaugural sale in Dubai this spring.

ST James’s gallery Frost and Reed, founded in 1808, have undergone a management shake-up and will have an increased focus on Contemporary art.

Christie’s return higher total for a single sale, but Sotheby’s secure top price of series