19th Century British Art

A group of works by George Richmond (1809-96) offered at auction at the end of last year showed plenty of life remains in the market for the London-born painter.

Market freshness and good provenance have always been key components in the Old Master sector, and the latest series of auctions in this category underlined how heavily dependent the market remains on the supply of works that have these qualities.

Two views of Chelsea Old Church by Walter Greaves (1846-1930) emerged at different salerooms in recent months.

If this view of London by William Richardson (1814-99) looks as if St Paul’s Cathedral has been magically transported to the mouth of the Grand Canal in Venice, that might not be too surprising.

A small number of intriguing 18th and 19th century pictures were among the works bringing the strongest competition in terms of the pictures at Gorringe’s (25% buyer’s premium) latest Fine Art & Interiors auction.

A fleeting moment caught by the artist but not intended for sale encapsulates the appeal of watercolours

The sale of Chinese and other Asian Works of Art at Semley Auctioneers in Shaftesbury, Dorset, included the largest known group of works by the artist Mrs H Clark.

A sale at Leland Little (25% buyer's premium) in Hillsborough, North Carolina, included a once well-known work by the Edwardian artist Charles Sims (1873-1928).

‘Two bidders going hell for leather’ race to £55,000 for scene by artist famed for atmospheric nocturns

Re: the letter from Anthony Lester regarding Thomas Smart (‘Mystery painter T Smart was Thomas’, Letters, ATG No 2715). I think that he died in June 1875.

How better to start a review of sales at the dog-friendly Decorative Fair than a quick canine picture selection?

Original works for under £100? Dickinson offers just that in its latest show 'Sir Francis Grant: A Society Sketchbook'.

Further to Graham Walpole’s letter (ATG no 2714), regarding the painting sold at Reeman Dansie (ATG no 2711), I can add a little about the artist Smart.

Following your reader’s letter regarding the identity of the portrait sold at Reeman Dansie (ATG no 2711), I have nothing to add to the discussion regarding the sitter’s identity.

Among the most eye-catching pictures that emerged at the summer auctions around the country were a couple of early 20th century portraits of young women.

Dominic Sanchez-Cabello initially followed in his father’s footsteps to become an antiques dealer in Plymouth.