Decorative Art

LONDON: NOTTING Hill specialists in 20th century and contemporary design Themes and Variations hold an exhibition of Italian furniture and glass design at their gallery at 231 Westbourne Grove, London W11 from September 27 to October 19.

SALES IN PARIS – THE LAFOND COLLECTION: A RAREFIED array of pharmacy jars formed the basis of the former Louis Lafond Collection presented at Briest on June 4. Lafond (1880-1950) was a practising chemist whose unremarkable personal history epitomises that of the dedicated, middle-class, often anonymous buying public that continues to flourish in France and, especially, at the Hôtel Drouot.

THERE were few out and out stars at the Amersham Buckinghamshire rooms on 6 June but the buyers were keen enough to support the auctioneers’ contention that, with more widespread holidays and the Internet, it is only vendors who are cautious about midsummer sales.

Bradbury’s Book of Hallmarks, revised edition 2002, published by the Sheffield Assay Office, Guardians Hall, 137 Portobello Road, Sheffield Sl 4DS. Tel: 0114 275 5111 Hardback £16 ISBN l872212026. Paperback ISBN 1872212034 £5.50

A zeal for collecting in an age of double glazing has created a strong market for pottery window rests, which have been freed from the domestic drudgery of keeping sash windows open and elevated to the mantelpiece as decorative works of art in their own rights.

With their lively if somewhat comic subject matter, these so-called ‘Scotsmen’ famille rose plates, 18th century, always receive a warm welcome. But the comic depiction of this kilted couple of the 42nd Foot Regiment belies the fate that lay in store for them.

This quartet of Meissen white figures from Augustus the Strong’s Japanese Palace was a centrepiece of the June 13 evening sale from Longleat, contributing £2.9m to the overall total.

Shanklin Auction Rooms have taken what they believe to be a record price for a Worcester teapot. The Isle of Wight auctioneers expected a bid of around £1000 for the rare c.1760, 5in (13cm), first period Worcester pot (pictured) and were amazed to see it knocked down to a London dealer for £11,000 (plus 10 per cent buyer’s premium).

AT the time it was produced – 1930/31 – the geometric design of a Shelley tea set with triangular handles was far from popular and speedily withdrawn. Seven decades on, with Art Deco a buoyant area and Shelley becoming more in demand by collectors, the scarcity of the pattern was a considerable addition to the appeal of a tea set for six offered at Stride’s 1000-lot West Sussex sale.

BIRMINGHAM-based Centre Exhibitions, headed by Fran Foster, launch a new series of fairs from October 18-20 when the first Ceramics For Everyone Fair is held at The Grandstand, Worcester Racecourse.

SOME of the regular buyers at this 424-lot dispersal at BBR Auctions on 28 April deemed it the “best selection yet” even though it had fewer Prattware pot lids and less blue and white Cornishware than usual. But this was made up for with an unusually large number of pie funnels and a good range of kitchen utensils and cream pots.

There was a French auction record for Sèvres under the Ferri (17.94%/ 11.96% buyer’s premium) gavel at Drouot on May 24 when the large Empire period fuseau vase, shown here, was offered for sale.

TILES: Tiles seem to be the new hot collecting area in British decorative ceramics. Following on from a sellout exhibition at Richard Dennis’s shop in Kensington last year, Bonhams held a sale of ceramic design in January that featured a large collection of De Morgan tiles which were pursued by a determined band of private collectors to prices that rivalled those of the pottery’s striking hollowwares.

The smallest (but not the smallest grossing sale) in the London rooms last month was the 115-lot, £581,000 gathering of 20th century Decorative Arts offered by Christie’s King Street on May 15.

Mention rare animals to a Lowestoft resident and you are likely to be directed to Suffolk’s only wildlife park on the outskirts of town, where African lions and ring-tailed lemurs roam the saltmarshes.

THIS wig powderer was made in York in 1817. Described in Michael Clayton’s book The Collector’s Dictionary of Silver & Gold of Great Britain & North America as “a tapering cylinder, from the cover of which rises a tube with a mouth of spherical form,” this type is dated to around 1800.

This Chamberlains Worcester yellow ground beaker-shaped vase c.1802, painted with a figure emblematic of Fame and supporting a miniature of Admiral Lord Nelson to commemorate the battle of the Nile, appeared at Law Fine Art on May 22 with an estimate of £4000-6000, having been consigned by a “Middle England” collector.

More Renaissance items came up at Arsantiqva (15% buyer’s premium) at the Westbury Hotel on April 19 with the first of three tranches of material relating to the serene city of Venice.

PRE 1921 the Poole pottery firm, one of the most innovative of the 20th century British potteries, was known as Carter & Co. Headed up by Jesse Carter, the firm produced very few domestic wares focusing instead on tiles and architectural and garden ceramics.

THE jewellery and vertu at Tennants’ sale was led by a pair of 2ct diamond ear studs at £9200 but more eye-catching among the vertu was this forerunner of the Swiss Army knife, right.