Decorative Art

20TH CENTURY Decorative Arts in New York: American museums are not so squeamish about deaccessioning as British ones and Christie’s New York (19.5/12% buyer’s premium) headlined its 20th Century Decorative Arts sale on June 12 with 52 lots of Tiffany from the Museum of Modern Art.

ISLINGTON dealers Gary Grant Choice Pieces, specialists in mid-20th century design, particularly textiles, ceramics and glass, host the launch of a new, extended and revised edition of Steven Jenkins’s definitive book on Midwinter pottery this month at their gallery at 18 Arlington Way, London EC1 and from July 25 to August 16 celebrate the launch with a selling exhibition of Midwinter.

Burleigh: The Story of a Pottery by Julie McKeown, published by Richard Dennis Publications. ISBN 0903685809. £45hb

FROM August 21 to October 26, The Wallace Collection in Manchester Square will host what they bill as the first ever exhibition in London devoted entirely to Regency and Victorian glass.

Lisa Watson is one of the young silversmiths featured in Silver Sparks, an exhibition of 47 examples of cutting-edge silver and jewellery made by students and former students of the Bishopsland Workshops in Oxfordshire that are on show at the Gilbert Collection in Somerset House, London WC2 until August 31. Her silver and felt jewellery and accessories can be seen at the show but like several of the other participants, examples of her work can also be bought at the Gilbert Collection Shop.

One of the highlights of the English porcelain section of Sotheby’s Olympia’s ceramics sale on July 3 will be a group of pieces from the celebrated Duke of Gloucester Service produced by the Worcester factory c.1775. The service is said to have been made for William Henry, Duke of Gloucester and Edinburgh and Earl of Connaught (1743-1805), younger brother of George III.

MAYFAIR dealers in fine silver Marks have extensive showrooms at 49 Curzon Street, London W1 but you are just as likely to encounter Anthony Marks, who is head of the family firm, at swish fairs in Palm Beach, New York and, of course, London. Last week I caught up with him on preview day at Grosvenor House, where he made his debut last year, and he presented me with his latest catalogue, a glossy hardback selection of some of his current stock.

Textiles from Mexico, by Chlöe Sayer, published by The British Museum Press. ISBN 0714125628 £12.99sb

BRITISH pottery specialist John Howard, whose particular enthusiasm is Staffordshire, is a familiar figure at quality fairs and when I caught up with him last week on his stand at Olympia he told me that there had been some changes on the home front.

NOT for nothing is the antiques market known for being unpredictable, nay, almost perverse. In the middle of the worst recession that many dealers have experienced, the worst drought that many salerooms have ever had to endure, auctioneer Nigel Kirk of Mellors and Kirk recorded his best sale in the brief (ten-year) history of his business on 10-11 April. He could not quite believe it, especially as half of the furniture lots failed to sell, but the statistics bore out the remarkable reality.

CHRISTIE’S (20.93/11.96% buyer’s premium) eschewed Art Nouveau altogether at their 20th Century Decorative Arts sale on May 20. This short outing was 83 per cent sold by lot (63 from 76) and 87 per cent by value, and raised a premium-inclusive €3.41m (£2.35m).

Many Antiques Trade Gazette readers will be familiar with the name Francis Raeymaekers of ADC Heritage from his days as a dealer in antique silver. After a sojourn in New York, he is back in London with a new venture.

Downturn in trade blamed: The Bond Street Silver Galleries, a fixture on London’s finest antiques thoroughfare for 40 years, is to close in the autumn. The downturn in the trade for table and decorative antique silver is behind the imminent closure of the 18 strongrooms, more than half of which have been vacated in the last six months.

Pictured on the front cover of the 530-lot catalogue offered by Suffolk auctioneers Abbotts (10 per cent buyer’s premium) on March 12 was a group of Moorcroft pottery assembled by a Southwold collector over the past 25 years.

This rare and impressive Royal Worcester porcelain model of a Golden Eagle, right, attracted huge amounts of interest from Royal Worcester collectors when it came to the rostrum on April 10 at the Worcester rooms of Andrew Grant (15% buyer’s premium).

THE auction record for Clarice Cliff was sent tumbling last week on May 14 when Christie’s South Kensington sold this May Avenue charger for £34,000, almost double the previous high of £18,000 paid in December 2001 at Phillips for a charger decorated with the Windmill pattern.

IT’S hard to say whether modern studio potters find the Della Robbia story inspiring or depressing. Established by Harold Rathbone and Conrad Dressler in Birkenhead in 1894, in its 12-year operation the factory became a key part of the Arts and Crafts movement but also went broke.

MOST numismatic material when offered at auction comes up in London. Sometimes this is not the case and then frequently a better-than-usual price is achieved.

IT’S been a long time since any auctioneer chose to illustrate his catalogue front cover with an array of silver candlesticks but this was the rather heartening decision by The Bristol Auction Rooms for their April 8 sale (12.77% buyer's premium inc. VAT) and their enlightened, so to speak, move was rewarded when all the lots, from George IV to 1967, sold within or above the admittedly modest three-figure expectations.

A pair of candlesticks featured strongly at ELR Auctions' 28 March sale (12.5% buyer's premium), were a classic by Ebeneezer Coker, who along with Cafe, is probably the best known of all candlestick makers.