Ceramics

WITH sales of standard furniture chugging along – but at least finding buyers – Gildings (12.5% buyer's premium) of Market Harborough, in common with many in the provinces, looked to ceramics and clocks to provide the day’s highlights at their March 16 sale.

From the standpoint of manufacturing history, dispersals of any factory collection are always tinged with sadness.

NOT all the market resides in a state of stagnation.

A 100-LOT collection of Meissen, Derby and Cont-inental porcelain figures, together with some furniture and works of art from a local Thanet private vendor, formed the backbone of Canterbury Auction Galleries (15% buyer's premium) February 24 outing which attracted a large number of private buyers, many of whom secured the top ceramic lots.

WHILE Troika ceramics made up the first 150 lots at Burstow & Hewett’s (10% buyer's premium) March 17 sale, there was also more traditional fare on offer, such as this 9in (22cm) diameter pair of mid-18th century English (probably London) delft plates, right, each with a painted design of a cockerel and a flower in blue, green and orange.

As the most prolific of the 18th century English porcelain-producing factories, there is plenty of scope when it comes to collecting Worcester porcelain. There are few collectors, however, who can match the determination of Jeanne and Milton Zorensky.

This large and important Martin Brothers bird, pictured right and dated 1894, is the main highlight of a diverse sale of ceramics, glass, works on paper, furniture, textiles and metalware, relating to the Arts and Crafts movement inspired by William Morris, to be held at Woolley & Wallis' Salisbury Salerooms on May 26.

The 20in (52cm) high dinanderie vase by Jean Dunand, pictured, right, with original black patina and sleek Art Deco outlines belying its early date of 1913, zoomed to €60,000 (£40,000), five times the estimate, at the Tajan (20.33% buyer’s premium) sale of 20th century decorative arts on March 4.

The hangar saleroom at Christie’s South Kensington was full to overflowing for the much-publicised sale of the Poole Pottery Museum collection and archive on March 31.

YOU don’t see detailed architectural scenes that often on English porcelain. Such pieces are much more the preserve of Continental factories like Meissen, Sèvres or, most notably, Berlin. Their smooth, hard paste provides a better ground for the highly detailed, crisp painting these subjects demand. However, if topography is to be found on English porcelain, it is most likely be encountered on wares from the Derby factory which came nearest to emulating the Continental firms.

WEEKLY antique valuation days at their recently opened estate agency in Welshpool have begun to pay dividends for Shrewsbury-based auctioneers Halls (15% buyer's premium), and specialist Jeremy Lamond hopes that the firm’s presence there will help broaden their Welsh client base.

THE figures after Louis Taylor's (12.5% buyer's premium) March 8 & 9 sale at the Hanley salerooms added to auctioneer Clive Hillier’s belief that the whole antiques scene is considerably brighter now than it was last year. “The sale went better than I expected and comes on top of our generally weekly sales regularly totalling £20,000 to £25,000 against the £12,000-15,000 they used to take,” he said.

HELPED by both the input of new collectors and the appearance on the market of some good pieces, Troika pottery certainly experienced renewed interest in 2003.

Shown right are two highlights from the sale conducted by John Bellman (15% buyer’s premium) of Newpound, Wisborough Green, on February 18.

KIDSON-Trigg (15% buyer's premium) reported a healthy turnout for their 725-lot February 26 sale with steady interest for collectable ceramics such as Beswick and the better-quality furniture attracting a mixture of local and UK private and trade buyers.

Welsh Ceramics in Context: Part I, edited by Jonathan Gray, published by the Royal Institution of South Wales, Swansea Museum, Victoria Road, Swansea SAl lSN. ISBN 0950851752 £17.50sb. THIS well-illustrated book is based on the papers delivered to the first Welsh Ceramics in Context seminar held at Clyne Castle in 2002.

LAST September, businessman and glass enthusiast Nicholas Lyne sold his stake in Berkshire auctioneers Law Fine Art to his partner and co-founder Mark Law and teamed up with Sussex ceramics dealer Brad Dover of Jupiter Antiques to launch the Kensington Ceramics & Glass Fair, the first of which was held at the Kensington Close Hotel on February 26 and 27.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.

The highlight of the sale conducted by Bourne End Auction Rooms (12% buyer’s premium) near Marlow, Buckinghamshire, on March 4 was this pair of tin-glazed earthenware plates, right, made c.1740 by Saverio Grue at the Castelli factory in Naples.

WILTSHIRE ceramics specialist Andrew Dando has been mounting annual selling exhibitions for more than a decade and the tradition goes on in 2004.