Ceramics

DECORATED manuscripts known as fraktur, made in various parts of America but primarily associated with Pennsylvania’s German communities, are something very little known in Britain, but on the home auction scene they are big money spinners indeed, as the example from an April 24 Americana sale held by Freemans of Philadelphia shows.

DECORATIVE pâte-sur-pâte has been selling well recently and an example of the work produced by Louis Marc Emmanuel Solon for Mintons was featured on the cover of the catalogue produced by Freemans of Philadelphia for their March 20-21 sale of English and Continental furniture and works of art, and it duly produced one of this special Spring sale’s better results.

AUCTIONEERS David Lay (15% buyer's premium) of Penzance can rely on strong local demand for home-grown collectables such as Newlyn copper and Troika pottery at the bi-monthly sales.

BONHAMS Chester hosted a 484-lot collectable ceramics and applied arts sale on April 27.

DERBYSHIRE dealer Nick Gent has taken over the London Ceramics Fair from Fred Hynds of Wakefield Ceramics Fairs and formed Prestige Ceramic Fairs to stage specialist events.

HERE is some information about one of the unqualified recent successes of the London ceramics scene, Eight Days in June, a concurrent series of exhibitions held by four leading Kensington dealers from June 7 to 15.

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

LITTLE wonder that London organisers Brian and Anna Haughton have such a soft spot for their annual International Ceramics Fair & Seminar, the 23rd of which will be staged from June 10 to 13 at The Commonwealth Centre in Kensington High Street, London W8.

THE market’s mood for the earliest English porcelain was in evidence at the April 27 sale held by Brettells (12% buyer’s premium) of Newport. The Shropshire firm offered a 16-lot private collection of mainly Worcester wares.

WILD beasts, and tigers in particular, loomed large in the late Georgian imagination. They appear in a range of guises, from the fearful symmetry of William Blake’s Tyger to the almost cuddly features of the big cats modelled by Staffordshire potters for popular consumption.

“The best example I have seen in the last ten years,” said Woolley and Wallis’ decorative arts specialist Michael Jeffery, of this Martinware bird, which was consigned to the auctioneers’ May 26 sale from a vendor in the New Forest.

THE meteoric growth in demand for the rarer Beswick farm animals in good condition saw more money change hands for a 20th century Beswick Belted Galloway Bull than for an 18th century Whieldon bull and calf, at Brightwells' (15% buyer's premium) 524-lot April 28 specialist ceramic outing.

Right: this fine Nantgarw porcelain plate, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, was part of a collection of porcelain offered by Worcestershire auctioneers Philip Serrell on May 20.

RIGHT: the faience wares decorated by Louis Kramer for Burmantofts between 1887 and 1890 are among the most coveted productions of the Yorkshire factory. So there was lots of interest among academics, collectors and dealers prior to the May 8 sale at Fieldings of Stourbridge in this fully signed 18in (46cm) diameter charger.

BIRMINGHAM auctioneers Biddle & Webb (15% buyer’s premium) have been holding regular decorative arts sales for some years now. Generally 20th century ceramics top the sales list and this was again the case at the April 16 sale when two 13in (33cm) examples of Drunken Bricklayer vases designed by Geoffrey Baxter for the Whitefriars pottery were major stars.

MOST of us are familiar with the designs Eric Ravilious, Edward Bawden and Keith Murray produced for Wedgwood, but how many have heard of Norman Makinson?

KEYS (10% buyer's premium) of Aylsham maintain the format of mammoth offerings – 1556 lots offered over two days (April 20-21) in this case – and, although only 60 per cent of them got away, there was plenty of material for budget-conscious collectors of such favourites as Royal Doulton character jugs and figures as well as Beswick Beatrix Potter and animal models.

THIS fine Nantgarw porcelain plate, right, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, is part of a collection of porcelain to be offered by Worcestershire auctioneers Philip Serrell on May 20.

AS USUAL at the March 18-19 sale held by Neales (15% buyer's premium), the spring event was led in price terms by furniture – but in terms of selling rates and the degree of competition in the room, the Nottingham event was more notable for the smalls and collectables.

CHARLES Baldwin’s stock-in-trade as a porcelain artist was swans in flight, but the celebrated Royal Worcester painter did occasionally apply his meticulous technique to other subjects including mammals and other birds. The sale held by Philip Laney (10% buyer’s premium) at the Malvern Auction Centre on April 6 included the impressive vase, top right, decorated by Baldwin with goldfinches.