Ceramics

High selling rates at two American salerooms show how the market can absorb traditional ceramics in volume when estimates are realistic

Another of the highest prices in the Stair Galleries’ sale of a New York ceramics collection came for this Staffordshire rarity.

Early-18th century porcelain scent bottles from Chelsea and the St James’s factory have been the object of increasing interest and value in recent years. Some high-flying examples emerged in the sales in New York.

Plenty of affordable Wedgwood from all eras was available in the Stair sale.

After their intitial interest in Wedgwood, the Starrs went on to collect other examples of early English porcelain, some of which was keenly pursued in Sotheby’s sale.

An impressive 23in (58cm) tall Sèvres vase offered by Shropshire auction house Trevanion & Dean (20% buyer’s premium) had a lot going for it historically but a considerable amount of condition problems.

The Starrs collection at Sotheby’s featured 25 reticulated vases or decorative objects produced by George Owen for Royal Worcester, most them purchased at auction in the early 1980s.

The large collection of predominantly English ceramics offered by Stair Galleries from a New York collector included examples of 18th century porcelain from many of the major English factories.

After training in Düsseldorf and Paris, where he had met Rodin and Maillol, both of whom had a major influence on his work, the German sculptor, painter and architect Bernhard Hoetger (1874-1949) joined the artists’ colony in Darmstadt in 1911.

The talented Sèvres factory decorator Desire Leroy (1840-1908) came to the United Kingdom in 1878 to take up an appointment at Minton in Staffordshire. However, he is perhaps best known for his work at the Royal Crown Derby where he worked from 1890, aged 50, until his death in 1908.

The first incarnation of the porcelain factory in Höchst near Frankfurt existed for exactly half a century. It was founded in 1746, making it the second-oldest producer of porcelain in Germany after Meissen.

In the resilient Beswick market, collectors paid high prices for some rarities – even modern prototypes – at autumn sales.

An early Wemyss Victoria pattern ink stand decorated with plumbs is offered by Carse Antiques for £395 at The Scone Palace Antiques & Fine Art Fair.

A sale at Rago Auctions (25% buyer’s premium) in its New Jersey rooms offered potential buyers the Andrew Furer and Elle Douglas collection: 27 lots of Martinware (mostly composed of the potters’ iconic Wally Bird creations).

Ceramics, furniture, glass and figure highlights from a range of sales under same banner.

A large selection of around 250 lots of Martin Brothers wares will be offered in the next British Art Pottery sale at Woolley & Wallis on November 27.

A buoyant specialist subject in its own right, studio pottery appeared at a number of the recent Design sales with material by major British names selling in the expected low four-figure range.