Ceramics

SCATTERED amongst the colourfully decorated but fairly routine European-taste 18th century famille verte and famille rose bowls, plates and tea services that comprised the bulk of Christie’s King Street’s (19.5/12% buyer’s premium) 214-lot European collection of Chinese Export ceramics on May 11 was a handful of more unusual entries for which buyers paid a premium.

LITTLE wonder that London organisers Brian and Anna Haughton have such a soft spot for their annual International Ceramics Fair & Seminar, the 23rd of which will be staged from June 10 to 13 at The Commonwealth Centre in Kensington High Street, London W8.

THE market’s mood for the earliest English porcelain was in evidence at the April 27 sale held by Brettells (12% buyer’s premium) of Newport. The Shropshire firm offered a 16-lot private collection of mainly Worcester wares.

WILD beasts, and tigers in particular, loomed large in the late Georgian imagination. They appear in a range of guises, from the fearful symmetry of William Blake’s Tyger to the almost cuddly features of the big cats modelled by Staffordshire potters for popular consumption.

“The best example I have seen in the last ten years,” said Woolley and Wallis’ decorative arts specialist Michael Jeffery, of this Martinware bird, which was consigned to the auctioneers’ May 26 sale from a vendor in the New Forest.

THE meteoric growth in demand for the rarer Beswick farm animals in good condition saw more money change hands for a 20th century Beswick Belted Galloway Bull than for an 18th century Whieldon bull and calf, at Brightwells' (15% buyer's premium) 524-lot April 28 specialist ceramic outing.

Right: this fine Nantgarw porcelain plate, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, was part of a collection of porcelain offered by Worcestershire auctioneers Philip Serrell on May 20.

RIGHT: the faience wares decorated by Louis Kramer for Burmantofts between 1887 and 1890 are among the most coveted productions of the Yorkshire factory. So there was lots of interest among academics, collectors and dealers prior to the May 8 sale at Fieldings of Stourbridge in this fully signed 18in (46cm) diameter charger.

BIRMINGHAM auctioneers Biddle & Webb (15% buyer’s premium) have been holding regular decorative arts sales for some years now. Generally 20th century ceramics top the sales list and this was again the case at the April 16 sale when two 13in (33cm) examples of Drunken Bricklayer vases designed by Geoffrey Baxter for the Whitefriars pottery were major stars.

MOST of us are familiar with the designs Eric Ravilious, Edward Bawden and Keith Murray produced for Wedgwood, but how many have heard of Norman Makinson?

KEYS (10% buyer's premium) of Aylsham maintain the format of mammoth offerings – 1556 lots offered over two days (April 20-21) in this case – and, although only 60 per cent of them got away, there was plenty of material for budget-conscious collectors of such favourites as Royal Doulton character jugs and figures as well as Beswick Beatrix Potter and animal models.

THIS fine Nantgarw porcelain plate, right, once thought to be painted by Thomas Baxter and traditionally known as the ‘Three Graces’, is part of a collection of porcelain to be offered by Worcestershire auctioneers Philip Serrell on May 20.

AS USUAL at the March 18-19 sale held by Neales (15% buyer's premium), the spring event was led in price terms by furniture – but in terms of selling rates and the degree of competition in the room, the Nottingham event was more notable for the smalls and collectables.

CHARLES Baldwin’s stock-in-trade as a porcelain artist was swans in flight, but the celebrated Royal Worcester painter did occasionally apply his meticulous technique to other subjects including mammals and other birds. The sale held by Philip Laney (10% buyer’s premium) at the Malvern Auction Centre on April 6 included the impressive vase, top right, decorated by Baldwin with goldfinches.

ANOTHER giant two-day sale on March 25-26 put together by David Lay (15% buyer's premium) saw the familiar rapid selling of two and three-figure lots, the cheaper ones mainly accounting for the unsolds, peppered with lots of more quality and wider interest.

FOR some years now the country’s top glass fixture, the next bi-annual National Glass Collectors Fair will be held at the Heritage Motor Centre, near Gaydon in Warwickshire this Sunday, May 9.

KENSINGTON Church Street will be a worthwhile call for those interested in brushing up their ceramics scholarship over the next week or so, with two specialist dealers holding non-selling exhibitions aimed at furthering our knowledge.

THE March 5 sale at Dee Atkinson & Harrison's (10% buyer's premium) West Yorkshire saleroom was the first antiques offering of the year and, after an 83 per cent selling rate on nearly 700 lots, the auctioneers took encouragement from the way the market seemed to be picking up, with furniture, at last, edging out of the doldrums.

SPECIALIST ceramics dealers will, once again, be gathering at the historic chateau at Enghien, 20 miles south west of Brussels, this week for the fourth staging of the Salon Céramique Ancienne (Oude Keramiek).

Charles & Nell Vyse by Terence Cartlidge, published by Richard Dennis. ISBN 0903685949. £15hb AS reported, US input has seen price rises for Charles Vyse productions, and they are now highly coveted.