Decorative Art

A round-up of current catalogues from folk-art at the rescheduled Winter Show to the Mellor-Cobham collection of English porcelain at Albert Amor

Early silver will go under the hammer this month at Drouot when Jean-Marc Delvaux offers items from the collection of Stéphane Faniel (1909-78).

Not to be confused with the modern limited edition Toby jugs of the same name, the early Royal Doulton figure Spooks is among the most desirable models in all the HN series.

Is the fire returning to the Lalique market? Record results for a private collection of 150 perfume bottles at Lyon & Turnbull suggests it might be

Nottingham sale showcases wares of ‘the most complete manufacturer in England in metal’

Picasso produced more than 3500 ceramic designs and created 633 different ceramic editions between 1947-71.

The Lalique glass market – one where most pieces fall in the £500-10,000 price bracket – was once a space dominated in the UK by the major international auction houses, particularly Christie’s and then Bonhams. But the landscape has changed.

The collecting history of English silver spoons spans well over a century.

Among the eye-catchers in the general auction at Metz in Heidelberg on March 25-26 is a small, partly enamelled silver box with a gilt interior.

More than 600 lots at Neumeister’s Munich sale on March 30 have been hidden from public view for 90 years, packed in wooden crates.

Traders look forward to fairs such as Bath after numerous challenges of sourcing new items

Found in a wardrobe during the clearance of a deceased estate in Spalding, ‘a group of four early 19th century French heraldic plaques’ sold way over hopes at Stamford Auction Rooms in Lincolnshire on February 26.

This early medieval gold cross was discovered by a metal detectorist in a field in Sutton St Edmund, Lincolnshire, in April 2019. After two years, going through the Treasure process, the cross was returned to the finder, who is selling it at Dix Noonan Webb on March 15.

From the early 1930s, the London potter Phyllis Keyes (1881-1968), with a studio in Warren Street and later in Clipstone Street, supplied Vanessa Bell, Duncan Grant and other members of the Bloomsbury Group with earthenware teawares, jugs and vases for decoration.

As a Doulton ‘lifer’ George Tinworth’s (1843-1913) output was immense.

Floral decorator tasked her assistant to develop a range which was fired by Fulham Pottery.

Norwich’s Sainsbury Centre art gallery has put a call out to the art and antiques sector for information and objects to help develop a new show.