Clocks

IT’S the sort of find that every dealer dreams of – a unique and valuable antique lying unrecognised and just waiting to be snapped up.

The emergence of a significant new discovery is a guaranteed crowd-puller in any sector of the art and antiques market.

Among the highlights of Tennants’ Autumn Catalogue sale held in Leyburn on November 22-23 was this exceptional Victorian Egyptian revival table clock.

When first unveiled at the International Exhibition in London in 1862 (and subsequently shipped to Paris in 1867 and Vienna in 1873), the St James’s Clock, as it became known, was heralded as the second largest clock in the world after E.J. Dent’s Big Ben.

A substantial reward is being offered for the return of a George III ormolu and white marble table clock by Matthew Boulton stolen from Knightsbridge dealership Hotspur on the afternoon of Wednesday, August 22.

The date of 1623 puts this timekeeper firmly in the first years of production of what has come to be known as the English lantern clock.

A late 17th century English musical lantern clock with a musical movement closed the year in style at Moore Allen & Innocent of Norcote near Cirencester when it was bought by a private collector from the Midlands at £22,000 (plus 15 per cent buyer’s premium) on December 8.

When Buckingham auctioneer John Dickins sold an ebony mantel clock by the pioneering British designer C.F.A. Voysey in September 2004 for £72,000 (see ATG No 1658, October 2, 2004) he was naturally delighted. These highly desirable icons of arts and crafts horology are very scarce (only half a dozen in aluminium, oak or painted oak had been recorded at that point) so a new addition to the canon was noteworthy.

It’s unlikely that Peter Stretch (c.1670-1746) of Leek would be remembered among the great clockmakers had he not chosen to board a ship bound for Philadelphia with his wife and family in 1702.

Next month the Royal Observatory, Greenwich will unveil four new galleries designed to tell the story of precision timekeeping.

Longcases sell well after prices hit plateauTHE 530 lots offered at Dreweatt Neate’s Bristol rooms in June covered most areas of the antiques trade with the exception of ceramics, but the sale was always going to be dominated by the strong 44-lot clocks section.

NEXT month The Country Seat turn the spotlight for the second time on fin de siècle pioneering lighting designer W.A.S. Benson, when they mount an exhibition, The Talented Mr Benson, at their picturesque medieval tithe barn at Huntercombe off the A4130 near Henley on Thames in Oxfordshire.

Charterhouse, Sherborne, December 10, Buyer’s premium: 15 per cent TWO fine timepieces led this Dorset sale. Top price by a long way was the £21,000 bid for an unusual brass skeleton clock designed for a Victorian railway industrialist.

Four antique clocks and two barometers were stolen in a raid on Chislehurst Antiques in Kent in late December.

“In 20 years I have never seen anything quite like it,” says auctioneer Richard Bromell of Sherborne’s Charterhouse. “It has a central dial for Greenwich which is surrounded by 11 smaller dials telling the time in the various countries. Having originally been presented to a Victorian relative [of the vendors] who built railways for a living, he would have been able to keep track of time with all his business interests.”

NOTED Manchester horologists Northern Clocks, run by Robert Love and his daughter Mary Anne, always have more than 100 good, craftsman-restored clocks in stock at Boothsbank Farm, Leigh Road, Worsley, but you can also see what they have on offer in their just published 2005 catalogue.

By Kate Hunt WHILE large dispersals of clocks have always been rarities outside of the major London rooms, the West Country is becoming a new spot on the dial. Like Bath-based Gardiner Houlgate (see last week’s ATG), the auctioneers formerly known as The Bristol Auction Galleries, who now operate under the Dreweatt Neate banner, have built a good private as well as a trade following for the triannual specialist clock sections included in their antique sales.

DISPERSING 200 mixed-quality clocks may seem a daunting prospect for some provincial auctioneers, but, by selling the Staffordshire collection in bite-size chunks through their general, oak and country and fine auctions, Richard Winterton (15% buyer's premium) managed to get away almost all entries during the summer months.

RIGHT: he had initially catalogued it as by Archibald Knox, but it was not until Buckinghamshire auctioneer John Dickins removed its cover shortly before the sale that he realised what a rarity he was really offering in this 19in (48cm) high Arts and Crafts mantel clock.

BULKY Victorian brown furniture may be the least attractive subject at many sales, but the most expensive entry at Keys (10% buyer's premium) 1386-lot Norfolk outing on August 3-4 was a 9ft square (2.74m) mahogany library breakfront bookcase.